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Tote Bag : Van Dyck - James Stuart J910514

Van Dyck - James Stuart J910514



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Van Dyck - James Stuart J910514

KENWOOD HOUSE, THE IVEAGH BEQUEST, London. " James Stuart, Duke of Richmond and Lennox" c1636 by VAN DYCK Sir Anthony (1599-1641) IBK 948

Historic England is the public body that champions and protects England's historic places

Media ID 556287

© Historic England

Animal Flemish Paintings Stuart


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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

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Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")

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FEATURES IN THESE COLLECTIONS

> Historic England > Fame > Kings and Queens of England

> Historic England > Fine Art > Kenwood House paintings

> Historic England > Fine Art > Royal portraits

> Historic England > Heritage > English Stately Homes > Kenwood House > Art at Kenwood - the Iveagh Bequest

> Historic England > Heritage > Treasures of Kenwood House

> Arts > Artists > D > Anthony Van Dyck

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Towns > Richmond

> Europe > United Kingdom > England > Paintings


EDITORS COMMENTS
This stunning portrait captures the noble elegance and refined sophistication of James Stuart, Duke of Richmond and Lennox, painted by the renowned Flemish artist Sir Anthony Van Dyck around 1636. The Duke is depicted in a grand setting, dressed in rich attire, holding a leash in his hand as he gazes intently at a loyal and regal-looking dog at his side. The painting, titled "James Stuart, Duke of Richmond and Lennox," is part of the Iveagh Bequest at Kenwood House in London, which was bequeathed to the nation by the 2nd Earl of Iveagh in 1927. Van Dyck, a leading artist of the Flemish Baroque period, was known for his masterful portraits that captured the essence of his subjects with remarkable detail and skill. In this painting, he expertly conveys the Duke's powerful presence and the deep bond between man and his faithful companion. The rich colors and intricate textures of the Duke's clothing and the dog's fur add depth and vibrancy to the image, while the subtle use of light and shadow creates a sense of depth and dimension. The inclusion of the dog in the portrait was a common practice during this period, as animals were often seen as symbols of wealth, status, and loyalty. The Duke's connection to his pet underscores his position as a nobleman and highlights the strong bond between man and animal. This portrait is a testament to Van Dyck's artistic genius and the enduring appeal of the human-animal connection.

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