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Glass Frame : Van Dyck - James Stuart J910514
Mounted Prints from Historic England
Van Dyck - James Stuart J910514
KENWOOD HOUSE, THE IVEAGH BEQUEST, London. " James Stuart, Duke of Richmond and Lennox" c1636 by VAN DYCK Sir Anthony (1599-1641) IBK 948
Historic England is the public body that champions and protects England's historic places
Media ID 556287
© Historic England
Animal Flemish Paintings Stuart
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This stunning portrait captures the noble elegance and refined sophistication of James Stuart, Duke of Richmond and Lennox, painted by the renowned Flemish artist Sir Anthony Van Dyck around 1636. The Duke is depicted in a grand setting, dressed in rich attire, holding a leash in his hand as he gazes intently at a loyal and regal-looking dog at his side. The painting, titled "James Stuart, Duke of Richmond and Lennox," is part of the Iveagh Bequest at Kenwood House in London, which was bequeathed to the nation by the 2nd Earl of Iveagh in 1927. Van Dyck, a leading artist of the Flemish Baroque period, was known for his masterful portraits that captured the essence of his subjects with remarkable detail and skill. In this painting, he expertly conveys the Duke's powerful presence and the deep bond between man and his faithful companion. The rich colors and intricate textures of the Duke's clothing and the dog's fur add depth and vibrancy to the image, while the subtle use of light and shadow creates a sense of depth and dimension. The inclusion of the dog in the portrait was a common practice during this period, as animals were often seen as symbols of wealth, status, and loyalty. The Duke's connection to his pet underscores his position as a nobleman and highlights the strong bond between man and animal. This portrait is a testament to Van Dyck's artistic genius and the enduring appeal of the human-animal connection.
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