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Tote Bag : JAPAN: YOKOHAMA, c1861. An English man examining and sorting fabrics for trade in Yokohama, with a portrait on the wall possibly depicting his wife. Woodcut in colors by Sadahide Utagawa, c1861
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JAPAN: YOKOHAMA, c1861. An English man examining and sorting fabrics for trade in Yokohama, with a portrait on the wall possibly depicting his wife. Woodcut in colors by Sadahide Utagawa, c1861
JAPAN: YOKOHAMA, c1861.
An English man examining and sorting fabrics for trade in Yokohama, with a portrait on the wall possibly depicting his wife. Woodcut in colors by Sadahide Utagawa, c1861
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 7959591
Chair Cloth Edo Period Fabric Family Foreigner Husband Japan Japanese Merchant Trade Utagawa Wall Westernization Wife Wood Cut Yokohama Sadahide
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
EDITORS COMMENTS
In this woodcut print from 1861, we are transported to Yokohama, Japan during a time of cultural exchange and trade. The image depicts an English man engrossed in examining and sorting fabrics for potential trade. His focused expression reflects the importance of his role as a merchant in this bustling port city. As our eyes wander across the scene, we notice a portrait hanging on the wall behind him, possibly depicting his wife. This small detail adds a personal touch to the otherwise business-oriented setting, reminding us that even amidst their professional pursuits, these foreign traders carried reminders of home with them. The intricate details and vibrant colors of Sadahide Utagawa's woodcut bring life to every element within the frame - from the texture of each fabric swatch to the patterns adorning them. The composition draws attention to both the seated man and his surroundings; an elegant chair signifies comfort while Japanese-inspired motifs on the walls hint at Westernization during Japan's Edo period. This artwork not only captures a moment in history but also serves as a testament to cross-cultural connections formed through commerce. It invites viewers into a world where East meets West, where tradition intertwines with modernity. Through this single image, we glimpse into an era defined by exploration and adaptation – one that shaped Yokohama into what it is today: a thriving hub of international trade and cultural fusion.
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