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Tote Bag : CARTOON: MAO ZEDONG, 1966. The new religion. Cartoon comment on the Cultural Revolution

CARTOON: MAO ZEDONG, 1966. The new religion. Cartoon comment on the Cultural Revolution



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CARTOON: MAO ZEDONG, 1966. The new religion. Cartoon comment on the Cultural Revolution

CARTOON: MAO ZEDONG, 1966.
The new religion. Cartoon comment on the Cultural Revolution and Mao Zedongs cult of personality; Mao is depicted as a Buddha-like figure, carried on the backs of adoring adherents. Cartoon by Edmund Valtman, 13 October 1966

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 13644578

1966 Buddha China Chinese Communism Cult Cultural Revolution Edmund Idol October Political Procession Religion Sedan Chair Valtman Worship Zedong


Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")

These are individually made so all sizes are approximate


FEATURES IN THESE COLLECTIONS

> Arts > Artists > V > Edmund Valtman

> Historic > Cultural revolutions

> Popular Themes > Politics


EDITORS COMMENTS
This print titled "CARTOON: MAO ZEDONG, 1966. The new religion" offers a thought-provoking commentary on the Cultural Revolution and Mao Zedong's cult of personality. In this cartoon by Edmund Valtman, created on October 13th, 1966, Mao is depicted as a Buddha-like figure being carried on the backs of adoring followers. The image captures the essence of the Cultural Revolution in China during that time period. It portrays Mao as an idolized leader who has attained god-like status among his devotees. The procession scene showcases a sea of red flags and banners symbolizing communism and political fervor. By portraying Mao as a religious figure, Valtman highlights the intense worship and blind devotion that characterized this tumultuous era in Chinese history. The inclusion of the famous "Red Book" which was filled with Mao's quotes and teachings, further emphasizes his role as a spiritual guide for his followers. Through this powerful visual representation, Valtman invites viewers to reflect upon the dangerous consequences that can arise from unchecked adoration towards political leaders. It serves as a reminder of how easily individuals can be swept up in mass movements driven by charismatic figures. Overall, this print provides an insightful glimpse into one aspect of China's past - where politics merged with religion to create an atmosphere ripe for both transformation and turmoil.

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