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Postcard : CARTOON: MAO ZEDONG, 1966. The new religion. Cartoon comment on the Cultural Revolution
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CARTOON: MAO ZEDONG, 1966. The new religion. Cartoon comment on the Cultural Revolution
CARTOON: MAO ZEDONG, 1966.
The new religion. Cartoon comment on the Cultural Revolution and Mao Zedongs cult of personality; Mao is depicted as a Buddha-like figure, carried on the backs of adoring adherents. Cartoon by Edmund Valtman, 13 October 1966
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Media ID 13644578
1966 Buddha China Chinese Communism Cult Cultural Revolution Edmund Idol October Political Procession Religion Sedan Chair Valtman Worship Zedong
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
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Estimated Product Size is 10.6cm x 15cm (4.2" x 5.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "CARTOON: MAO ZEDONG, 1966. The new religion" offers a thought-provoking commentary on the Cultural Revolution and Mao Zedong's cult of personality. In this cartoon by Edmund Valtman, created on October 13th, 1966, Mao is depicted as a Buddha-like figure being carried on the backs of adoring followers. The image captures the essence of the Cultural Revolution in China during that time period. It portrays Mao as an idolized leader who has attained god-like status among his devotees. The procession scene showcases a sea of red flags and banners symbolizing communism and political fervor. By portraying Mao as a religious figure, Valtman highlights the intense worship and blind devotion that characterized this tumultuous era in Chinese history. The inclusion of the famous "Red Book" which was filled with Mao's quotes and teachings, further emphasizes his role as a spiritual guide for his followers. Through this powerful visual representation, Valtman invites viewers to reflect upon the dangerous consequences that can arise from unchecked adoration towards political leaders. It serves as a reminder of how easily individuals can be swept up in mass movements driven by charismatic figures. Overall, this print provides an insightful glimpse into one aspect of China's past - where politics merged with religion to create an atmosphere ripe for both transformation and turmoil.
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