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Tote Bag : From the cartoon series Willie and His Papa, by Frederick Burr Opper, which appeared in William Randolph Hearsts New York Journal, 1900-01, depicting President William McKinley as the captive of the trusts and of Senator Mark Hanna (Nursie)
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From the cartoon series Willie and His Papa, by Frederick Burr Opper, which appeared in William Randolph Hearsts New York Journal, 1900-01, depicting President William McKinley as the captive of the trusts and of Senator Mark Hanna (Nursie)
McKINLEY CARTOON, 1900.
From the cartoon series Willie and His Papa, by Frederick Burr Opper, which appeared in William Randolph Hearsts New York Journal, 1900-01, depicting President William McKinley as the captive of the trusts and of Senator Mark Hanna (Nursie)
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Media ID 7778069
1900 1901 Alonzo Anti Trust Burr Commerce Frederick Hanna Hearst Marcus Mark Mckinley New York Journal Opper Political Acts Randolph Republican Trust Willy And His Papa Will I Am
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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
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Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
The print captures a significant moment in American political history, depicting President William McKinley as a captive of the trusts and Senator Mark Hanna. Created by Frederick Burr Opper for William Randolph Hearst's New York Journal in 1900-01, this cartoon from the series "Willie and His Papa" offers a satirical commentary on the relationship between politics and big business during that era. In the image, President McKinley is portrayed as a helpless child (Willie) held captive by both the trusts and Senator Hanna (Nursie). This clever visual metaphor highlights the perceived influence of corporate interests over government decisions at that time. It reflects growing concerns about monopolies and their impact on American society. The cartoonist's choice to depict McKinley as submissive to these powerful forces underscores his belief that the president was merely a puppet controlled by economic elites. The inclusion of Senator Hanna further emphasizes this point, suggesting that even politicians were not immune to being manipulated by corporate interests. This thought-provoking artwork serves as an important reminder of America's complex political landscape at the turn of the 20th century. It sheds light on issues such as trust-busting, anti-trust legislation, and public sentiment towards big business during McKinley's presidency. Through its sharp satire and astute observations, this cartoon continues to resonate with audiences today, offering valuable insights into our nation's past struggles with balancing commerce and governance.
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