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Framed Print : From the cartoon series Willie and His Papa, by Frederick Burr Opper, which appeared in William Randolph Hearsts New York Journal, 1900-01, depicting President William McKinley as the captive of the trusts and of Senator Mark Hanna (Nursie)

From the cartoon series Willie and His Papa, by Frederick Burr Opper, which appeared in William Randolph Hearsts New York Journal, 1900-01, depicting President William McKinley as the captive of the trusts and of Senator Mark Hanna (Nursie)



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From the cartoon series Willie and His Papa, by Frederick Burr Opper, which appeared in William Randolph Hearsts New York Journal, 1900-01, depicting President William McKinley as the captive of the trusts and of Senator Mark Hanna (Nursie)

McKINLEY CARTOON, 1900.
From the cartoon series Willie and His Papa, by Frederick Burr Opper, which appeared in William Randolph Hearsts New York Journal, 1900-01, depicting President William McKinley as the captive of the trusts and of Senator Mark Hanna (Nursie)

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7778069

1900 1901 Alonzo Anti Trust Burr Commerce Frederick Hanna Hearst Marcus Mark Mckinley New York Journal Opper Political Acts Randolph Republican Trust Willy And His Papa Will I Am


14"x12" (38x32cm) Modern Frame

Step back in time with this captivating Framed Print from Media Storehouse, featuring the classic political cartoon "McKinley Cartoon, 1900" by Frederick Burr Opper. This iconic image, originally published in William Randolph Hearst's New York Journal, depicts President William McKinley as a captive of the trusts and Senator Mark Hanna (Nursie). A must-have for history enthusiasts and art collectors alike, this Framed Print brings a piece of American political history right into your home or office. With its high-quality print and elegant frame, this unique piece is sure to be a conversation starter and a source of intrigue for years to come.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 20.5cm x 24.4cm (8.1" x 9.6")

Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > O > Frederick Burr Opper

> Arts > Artists > O > Frederick Opper

> North America > United States of America > New York > Related Images

> Popular Themes > Politics

> Granger Art on Demand > American Presidents


EDITORS COMMENTS
The print captures a significant moment in American political history, depicting President William McKinley as a captive of the trusts and Senator Mark Hanna. Created by Frederick Burr Opper for William Randolph Hearst's New York Journal in 1900-01, this cartoon from the series "Willie and His Papa" offers a satirical commentary on the relationship between politics and big business during that era. In the image, President McKinley is portrayed as a helpless child (Willie) held captive by both the trusts and Senator Hanna (Nursie). This clever visual metaphor highlights the perceived influence of corporate interests over government decisions at that time. It reflects growing concerns about monopolies and their impact on American society. The cartoonist's choice to depict McKinley as submissive to these powerful forces underscores his belief that the president was merely a puppet controlled by economic elites. The inclusion of Senator Hanna further emphasizes this point, suggesting that even politicians were not immune to being manipulated by corporate interests. This thought-provoking artwork serves as an important reminder of America's complex political landscape at the turn of the 20th century. It sheds light on issues such as trust-busting, anti-trust legislation, and public sentiment towards big business during McKinley's presidency. Through its sharp satire and astute observations, this cartoon continues to resonate with audiences today, offering valuable insights into our nation's past struggles with balancing commerce and governance.

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