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Tote Bag : Indian Scene, 1884-89 (oil on canvas)
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Indian Scene, 1884-89 (oil on canvas)
989572 Indian Scene, 1884-89 (oil on canvas) by Weeks, Edwin Lord (1849-1903); 46.3x33 cm; Private Collection; (add.info.: Indian Scene. Edwin Lord Weeks (1849-1903). Oil on canvas. Painted between 1884-89. 46.3 x 33cm.); Photo eChristies Images; American, out of copyright
Media ID 22523842
© Christie's Images / Bridgeman Images
1880s 1884 1889 Academi Academic Art Academic School Academic Style American Artist Artist American Balconies Balcony Bound Camel Continental Pictures Departed Departing Departure Depicting Depiction Depicts Edwin Lord Weeks Getting Ready Hooved Mammal Indian Ethnicity Leave Leaving Medium Group Medium Group Of People Natural Light Oriental Orientalism Orientalist Orientalist Art Preparation Setting Off Setting Out Small Group Small Group Of Animals Social Activity Southeast Asian Sunny Three Animals Weeks Working Animal 19th Century European Art 19th Century Painting Apparel Ethnic Origin Headwear Positive Concepts
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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
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EDITORS COMMENTS
This print showcases Edwin Lord Weeks' "Indian Scene" painted between 1884-89. The oil on canvas masterpiece measures 46.3x33 cm and is currently held in a private collection. Weeks, an American artist, was renowned for his Orientalist paintings that depicted scenes from various cultures. In this particular artwork, we are transported to a vibrant outdoor setting in nineteenth-century India. Bathed in natural light, the painting captures the essence of a sunny day as people prepare to set off on their journey. A medium group of individuals, both men and women, can be seen standing outside a building with a balcony overlooking the scene. The attention to detail is remarkable as Weeks skillfully portrays the diverse attire worn by each character - showcasing Indian and Asian ethnicities through their clothes and headwear. A camel stands nearby, ready to carry its passengers across the landscape. The composition exudes an academic style prevalent during that era while also highlighting orientalist influences. Through his brushstrokes and use of color, Weeks successfully brings forth a sense of anticipation and departure. This late nineteenth-century artwork not only serves as a visual delight but also offers us insight into historical contexts and cultural exchanges prevalent during that time period. It exemplifies Weeks' mastery in capturing human emotions within stunning landscapes while celebrating diversity through artistry.
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