Departed Collection

The Tube Station, c. 1932 (linocut printed in colours on tissue Japan)
659543 The Tube Station, c.1932 (linocut printed in colours on tissue Japan) by Power, Cyril Edward (1874-1951); 25.5x29 cm; Private Collection; (add.info.: The Tube Station)

Embossed Victorian mourning card, Mary Hickman
Embossed Victorian mourning card with a funerary monument. In Memory of Mary, relict of the late Job Hickman, of the Bilston Quarries, she departed this life, December 2nd, 1857, aged 73 years

View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway
1198425 View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway, 1832 (hand-coloured lithograph) by Hill

Embossed Victorian mourning card, James Woodhead
Embossed Victorian mourning card, with a woman and a girl grieving at a tomb in a cemetery. In Memory of James Woodhead, who departed this life January 14th, 1855, aged 80 years

Goat and Hound (cut paper laid down on tissue)
1767559 Goat and Hound (cut paper laid down on tissue) by Diederich, Wilhelm Hunt (1884-1953); 17.1x31.1 cm; Private Collection; Photo © Christie's Images.

The Russian Emigres, c. 1900 (oil on canvas)
1197487 The Russian Emigres, c. 1900 (oil on canvas) by Levy-Dhurmer, Lucien (1865-1953); 92.7x73.8 cm; Private Collection; Photo © Christie's Images.

In the Piazza San Marco, (gouache, chalk and pen and brown ink)
827280 In the Piazza San Marco, (gouache, chalk and pen and brown ink) by Dulac, Edmund (1882-1953); 30.5x24.2 cm; Private Collection; (add.info.: In the Piazza San Marco. Edmund Dulac (1882-1953)

The Boating Party, (oil on canvas)
989926 The Boating Party, (oil on canvas) by Miralles Galaup, Francesco (1848-1901); 73x91.5 cm; Private Collection; (add.info.: The Boating Party. Francisco Miralles y Galup (1848-1901)

A Hawking Party Setting Out from the Steps of a Country House, 1828 (oil on canvas)
990551 A Hawking Party Setting Out from the Steps of a Country House, 1828 (oil on canvas) by Turner, Francis Calcraft (1782-1846); 66x97.2 cm; Private Collection; (add.info)

Shes Bound to Shine, c. 1885 (oil on canvas)
650411 Shes Bound to Shine, c.1885 (oil on canvas) by Henry, Edward Lamson (1841-1919); 34.3x41.2 cm; Private Collection; (add.info.: Shes Bound to Shine. Edward Lamson Henry (1841-1919)

The Farewell, 1842 (oil on board)
658764 The Farewell, 1842 (oil on board) by Becker, Jakob (1810-40); 92x73 cm; Private Collection; (add.info.: The Farewell. Jakob Becker (1810-1872). Oil on board. Signed and dated 1842

QSS Lusitania - souvenir of launch, commemorative 18 carat gold handled scissors, with stainless steel blades, the crossover engraved with John Brown and Co

L'egare II - North Atlantic expedition raft, at Falmouth
L'egare II, a raft used by a French crew in 1956 to cross the Atlantic Ocean. The expedition, led by Henri Beaudout, departed from Halifax, Nova Scotia, arriving 88 days later at Falmouth

LADY AT TOMB
Of joys departed, not to return, how painful the remembrance... - illustration to a poem by Burns. Date: early 19th century

Cock Robin Nursery Rhymes Unfortunate Death Thrush
cock, robin, nursery, rhymes, unfortunate, death, thrush, mourns, dear, departed, history, historical, 10132680

Archangel Gabriel, instrument of God, smote in the camp of the Assyrians? So Sennacherib king of Assyria departed II
534355 Archangel Gabriel, instrument of God, ..smote in the camp of the Assyrians? So Sennacherib king of Assyria departed II Kings 19. From Gustave Dore Bible 1865-1866

Le Port d'Ostende, 1913 (oil on canvas)
653556 Le Port d'Ostende, 1913 (oil on canvas) by Permeke, Constant (1886-1952); 40.5x51 cm; Private Collection; (add.info.: Le Port d'Ostende. Constant Permeke (1886-1952). Oil on canvas

Getting Ready, (oil on canvas)
657594 Getting Ready, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: Getting Ready. William Lee Hankey (1869-1952). Oil on canvas

Off to the Fishing Ground, Honfleur, (oil on canvas)
657709 Off to the Fishing Ground, Honfleur, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: Off to the Fishing Ground, Honfleur. William Lee Hankey (1869-1952)

Two Women in an Arbor, (oil on canvas)
823059 Two Women in an Arbor, (oil on canvas) by Emmett, Lydia Field (1866-1952); 88.5x76.4 cm; Private Collection; (add.info.: Two Women in an Arbor. Lydia Field Emmett (1866-1952). Oil on canvas

The Sartes, Turkestan (oil on canvas)
1195653 The Sartes, Turkestan (oil on canvas) by Kolesnikoff, Sergei (1889-1952); 52x71 cm; Private Collection; (add.info.: Kolesnikoff, Sergei (1889-1952)); Photo © Christie's Images

Your Holidays! Travel by the White Star Line, a poster advertising travel to United States and Canada, c
1197961 Your Holidays! Travel by the White Star Line, a poster advertising travel to United States and Canada, c.1927 (colour litho) by Mills

Cinderella (oil on panel)
989955 Cinderella (oil on panel) by Pecrus, Charles Francois (1826-1907); 40.6x31.8 cm; Private Collection; (add.info.: Cinderella. Charles Francois Pecrus (1826-1907). Oil on panel

On the Way to Church, 1904 (oil on canvas)
823461 On the Way to Church, 1904 (oil on canvas) by Bieler, Ernest (1863-1948); 115x157 cm; Private Collection; (add.info.: On the Way to Church; Sur le Chemin de L Eglise)

Outward Bound (oil on panel)
1767670 Outward Bound (oil on panel) by Wiles, Irving Ramsay (1861-1948); 24.8x35.6 cm; Private Collection; (add.info.: Outward Bound. Irving Ramsey Wiles (1861-1948). Oil on panel

Boys Marching By, 1918 (oil on canvas)
985252 Boys Marching By, 1918 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 81.4x72.2 cm; Private Collection; (add.info.: Boys Marching By. Frederick Childe Hassam (1859-1935)

The Embarkment of a Roman Queen (oil on canvas)
827139 The Embarkment of a Roman Queen (oil on canvas) by Forti, Ettore (fl.c.1870-1910); 80x139.7 cm; Private Collection; (add.info.: The Embarkment of a Roman Queen. Ettore Forti (1850-1940)

A poster advertising Michelin tyres, 1913 (colour lithograph)
1198409 A poster advertising Michelin tyres, 1913 (colour lithograph) by Rossillon, Marius (O Galop) (1867-1946); 119x78 cm; Private Collection; Photo © Christies Images

Two Girls Preparing to Enter a Carriage, (colour etching)
1194917 Two Girls Preparing to Enter a Carriage, (colour etching) by Icart, Louis (1888-1950); 63x90 cm; Private Collection; Photo © Christies Images

Men o War: The Blake and The Boston, 1893 (oil on canvas)
1767570 Men o War: The Blake and The Boston, 1893 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 45.7x56.5 cm; Private Collection; (add.info.: Men o War: The Blake and The Boston)

Departure, c. 1941 (etching and drypoint)
991015 Departure, c.1941 (etching and drypoint) by Icart, Louis (1888-1950); 44.5x31 cm; Private Collection; (add.info.: Departure. Louis Icart (1888-1950). Etching and drypoint. Etched circa 1941

The Departure of the Master of the House (oil on canvas)
989931 The Departure of the Master of the House (oil on canvas) by Forti, Ettore (fl.c.1870-1910); 59x100 cm; Private Collection; (add.info)

An Elegant Lady Entering a Coach, (oil on board)
827243 An Elegant Lady Entering a Coach, (oil on board) by Rousseau, Marguerite (1888-1948); 33x45.8 cm; Private Collection; (add.info.: An Elegant Lady Entering a Coach)

Cabinet de Toilette de Jacques Emile Blanch, 1888 (oil on canvas painted)
824059 Cabinet de Toilette de Jacques Emile Blanch, 1888 (oil on canvas painted) by Lobre, Maurice (1862-1951); 80x85 cm; Private Collection; (add.info.: Cabinet de Toilette de Jacques Emile Blanch)

Sport on the S. S. Cedric, 1921 (oil on canvasboard)
657477 Sport on the S.S. Cedric, 1921 (oil on canvasboard) by Nicholson, William (1872-1949); Private Collection; (add.info.: Sport on the S.S. Cedric. Sir William Nicholson (1872-1949)

The Fort of Gwalior, Madhya Pradesh, (oil on canvas)
1197493 The Fort of Gwalior, Madhya Pradesh, (oil on canvas) by Weeks, Edwin Lord (1849-1903); 131.2x87.6 cm; Private Collection; Photo eChristies Images; American, out of copyright

The Promenade, c. 1882 (crayon on paper)
1767882 The Promenade, c.1882 (crayon on paper) by Seurat, Georges Pierre (1859-91); 30x21 cm; Private Collection; (add.info.: The Promenade. Georges Seurat (1859-1891). Crayon on paper

After the Ball, 1917 (oil on board)
1767123 After the Ball, 1917 (oil on board) by Fischer, Paul (1860-1934); Private Collection; (add.info.: After the Ball. Paul Fischer (1860-1934). Oil on board

A Sailing Ship, (pencil and oil on paper)
1197320 A Sailing Ship, (pencil and oil on paper) by Wallis, Alfred (1855-1942); 21.5x34.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Richard James Streatfeild (1844-1931), Esq. on his Retirement from
1197060 Portrait of Richard James Streatfeild (1844-1931), Esq. on his Retirement from the Mastership of the South Down Foxhounds, 1881 (oil on canvas) by Earl

Hussars Setting Out, 1913 (oil on canvas)
1197023 Hussars Setting Out, 1913 (oil on canvas) by Macke, August (1887-1914); 37.5x56.1 cm; Private Collection; Photo eChristies Images; German, out of copyright

Gentleman and Flower Girl near Book Stalls by the Seine, (oil on panel)
989607 Gentleman and Flower Girl near Book Stalls by the Seine, (oil on panel) by Lesur, Henri-Victor (1863-1937); 39.4x31.8 cm; Private Collection; (add.info)

Study for the Prodigal Son in Modern Life: The Departure, c. 1881 (oil on panel)
827068 Study for the Prodigal Son in Modern Life: The Departure, c.1881 (oil on panel) by Tissot, James Jacques Joseph (1836-1902); 22.6x34.5 cm; Private Collection; (add.info)

Peasant on an alley by a House, Pontoise; Paysan dans une Ruelle a l Hermitage
826340 Peasant on an alley by a House, Pontoise; Paysan dans une Ruelle a l Hermitage, Pontoise, 1876 (oil on canvas) by Pissarro

Schooners at Anchor, Key West, 1903 (watercolor and pencil on paper)
651117 Schooners at Anchor, Key West, 1903 (watercolor and pencil on paper) by Homer, Winslow (1836-1910); 35.4x55.3 cm; Private Collection; (add.info.: Schooners at Anchor, Key West)

Rowing out of a Cove, 1878 (oil on canvas)
650675 Rowing out of a Cove, 1878 (oil on canvas) by Cropsey, Jasper Francis (1823-1900); 30.6x50.1 cm; Private Collection; (add.info.: Rowing out of a Cove. Jasper Francis Cropsey (1823-1900)

On the Wawayanda Lake, New Jersey, 1873 (oil on canvas)
650673 On the Wawayanda Lake, New Jersey, 1873 (oil on canvas) by Cropsey, Jasper Francis (1823-1900); 36x61 cm; Private Collection; (add.info.: On the Wawayanda Lake, New Jersey)

The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony
990213 The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony during his Visit in 1740, (oil on canvas) by Canaletto

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"Departed: A Journey Through Time and Loss" In this captivating collection of images, we are transported to various moments in history where departures have left an indelible mark on our collective memory. From the bustling View at St. Rollox Looking South East, capturing the opening of the Glasgow and Garnkirk Railway, to the majestic QSS Lusitania - a souvenir of its grand launch - each photograph tells a story of departure. Amidst these snapshots from different eras, we encounter poignant reminders of loss and mourning. An embossed Victorian mourning card dedicated to Mary Hickman serves as a somber tribute to departed loved ones. And there is Lady At Tomb, her sorrow palpable as she pays homage to someone dear who has passed on. But amidst these tales of departure tinged with sadness, there are also glimpses of adventure and exploration. The L'egare II North Atlantic expedition raft at Falmouth beckons us into uncharted waters, reminding us that departures can also be gateways to new horizons. The Cock Robin Nursery Rhymes Unfortunate Death Thrush adds a touch of whimsy amidst the solemnity. This classic rhyme reminds us that even in children's stories, departures are inevitable and often accompanied by heartache. As we delve deeper into this visual journey through time, it becomes clear that departures come in many forms - from railway inaugurations and ship launches to personal farewells etched onto Victorian cards or captured in sculptures like Archangel Gabriel smiting Assyrians. Ultimately, "Departed" invites us to reflect on the transient nature of life itself. It urges us not only to mourn what has been lost but also embrace what lies ahead when we embark on our own journeys toward new destinations – both physical and emotional – knowing that every departure carries within it the potential for growth and transformation.