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Tote Bag : Francis I (1494-1547) Touching for the Kings Evil at Bologna (fresco)
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Francis I (1494-1547) Touching for the Kings Evil at Bologna (fresco)
BBC186492 Francis I (1494-1547) Touching for the Kings Evil at Bologna (fresco) by Cignani, Carlo (1628-1719); Palazzo Comunale, Bologna, Italy; (add.info.: Kings Evil is a lymphatic disease; ); Italian, out of copyright
Media ID 23197162
© Bridgeman Images
Diagnosis Ermin Ermine Examination Examining Francois Inspecting King Of France
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
The captivating print of "Francis I (1494-1547) Touching for the Kings Evil at Bologna" by Carlo Cignani takes us back to a significant moment in history. The image showcases a scene from the 17th century, where King Francis I of France is seen examining a female patient as part of his royal duty to heal those afflicted with the lymphatic disease known as the Kings Evil. In this mesmerizing fresco, we witness an atmosphere filled with anticipation and hope. A crowd has gathered around, eagerly observing as their ruler inspects the woman's condition. Dressed in regal robes and adorned with a crown, Francis I exudes authority and compassion simultaneously. The painting not only captures the essence of French royalty but also highlights the importance placed on healing during that era. The meticulous examination being carried out by King Francis demonstrates his dedication to understanding and combating this debilitating illness. Carlo Cignani's attention to detail is evident in every brushstroke, particularly in depicting the expressions on both Francis I's face and that of his patient. We can almost feel their emotions intertwine – one seeking relief from suffering while the other determined to provide it. This remarkable artwork serves as a testament to both historical events and artistic brilliance. It allows us to delve into an era when kings were believed to possess divine powers capable of curing diseases through touch alone. As we gaze upon this masterpiece, we are transported back centuries ago, witnessing firsthand an extraordinary moment between monarch and
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