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Tote Bag : The Foligno Madonna (detail), c. 1511-12 (oil on wood transferred to canvas)
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The Foligno Madonna (detail), c. 1511-12 (oil on wood transferred to canvas)
5901703 The Foligno Madonna (detail), c.1511-12 (oil on wood transferred to canvas) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries, Vatican City; (add.info.: Commissioned by Sigismondo de Conti (presented by St Jerome with his lion) for the church of Santa Maria in Aracoeli, Rome but moved to the monastery of St. Anne in Foligno. Looted by Napoleon in 1799 but returned to Italy after the Battle of Waterloo.); Italian, out of copyright
Media ID 22768588
© Bridgeman Images
Altarpiece Booty Donor Foligno Francis Of Assisi Franciscan Heaven John The Baptist Madonna And Child Order Plunder Sacra Conversazione Saint Francis Saint Francis Of Assisi Saint John St John The Baptist Umbria Umbrian Cinquecento
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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
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EDITORS COMMENTS
This print showcases a mesmerizing detail of "The Foligno Madonna" by Raphael, one of the most renowned Italian Renaissance painters. Created around 1511-12, this oil on wood transferred to canvas masterpiece is housed in the Vatican Museums and Galleries in Vatican City. Commissioned by Sigismondo de Conti for the church of Santa Maria in Aracoeli, Rome, this altarpiece was later moved to the monastery of St. Anne in Foligno. Despite being looted by Napoleon's forces in 1799, it was thankfully returned to Italy after the Battle of Waterloo. In this particular section captured within the photo print, we witness an enchanting sacra conversazione scene. The heavenly intervention is evident as Saint Jerome presents his lion while surrounded by saints Francis of Assisi and John the Baptist. Kneeling before them with devout prayer is a donor figure. Raphael's meticulous attention to detail shines through as he skillfully portrays clouds and cherubic putti amidst a celestial backdrop. The Virgin Mary tenderly holds her child Jesus at the center, radiating maternal love and divine grace. This remarkable artwork not only exemplifies Raphael's mastery but also serves as a testament to Italy's rich artistic heritage during the Cinquecento period. It stands as a symbol of religious devotion and cultural significance that continues to captivate viewers from all corners of the world.
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