Glass Frame > Arts > Artists > Raphael > Raphael's Madonna and Child
Glass Frame : The Foligno Madonna (detail), c. 1511-12 (oil on wood transferred to canvas)
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The Foligno Madonna (detail), c. 1511-12 (oil on wood transferred to canvas)
5901703 The Foligno Madonna (detail), c.1511-12 (oil on wood transferred to canvas) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries, Vatican City; (add.info.: Commissioned by Sigismondo de Conti (presented by St Jerome with his lion) for the church of Santa Maria in Aracoeli, Rome but moved to the monastery of St. Anne in Foligno. Looted by Napoleon in 1799 but returned to Italy after the Battle of Waterloo.); Italian, out of copyright
Media ID 22768588
© Bridgeman Images
Altarpiece Booty Donor Foligno Francis Of Assisi Franciscan Heaven John The Baptist Madonna And Child Order Plunder Sacra Conversazione Saint Francis Saint Francis Of Assisi Saint John St John The Baptist Umbria Umbrian Cinquecento
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")
Estimated Product Size is 22.8cm x 17.7cm (9" x 7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a mesmerizing detail of "The Foligno Madonna" by Raphael, one of the most renowned Italian Renaissance painters. Created around 1511-12, this oil on wood transferred to canvas masterpiece is housed in the Vatican Museums and Galleries in Vatican City. Commissioned by Sigismondo de Conti for the church of Santa Maria in Aracoeli, Rome, this altarpiece was later moved to the monastery of St. Anne in Foligno. Despite being looted by Napoleon's forces in 1799, it was thankfully returned to Italy after the Battle of Waterloo. In this particular section captured within the photo print, we witness an enchanting sacra conversazione scene. The heavenly intervention is evident as Saint Jerome presents his lion while surrounded by saints Francis of Assisi and John the Baptist. Kneeling before them with devout prayer is a donor figure. Raphael's meticulous attention to detail shines through as he skillfully portrays clouds and cherubic putti amidst a celestial backdrop. The Virgin Mary tenderly holds her child Jesus at the center, radiating maternal love and divine grace. This remarkable artwork not only exemplifies Raphael's mastery but also serves as a testament to Italy's rich artistic heritage during the Cinquecento period. It stands as a symbol of religious devotion and cultural significance that continues to captivate viewers from all corners of the world.
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