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Tote Bag : Detail from the Virgin and Child with Saints Donatian and George and Canon Joris van der Paele, c. 1436 (oil on wood)
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Detail from the Virgin and Child with Saints Donatian and George and Canon Joris van der Paele, c. 1436 (oil on wood)
862496 Detail from the Virgin and Child with Saints Donatian and George and Canon Joris van der Paele, c.1436 (oil on wood) by Eyck, Jan van (c.1390-1441); Groeningemuseum, Bruges, Belgium; © Art in Flanders
Media ID 28435542
© Art in Flanders / Bridgeman Images
Canon Enthroned Eyck Eyck Jan Van 1390 1441 Flanders Floriated George Jan Van 1390 1441 Jan Van Eyck Motif Northern Posy 15th 15 Xv Xvth Fifteenth Century Belgians Belgium Belgian Joris
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print showcases a mesmerizing detail from Jan van Eyck's masterpiece, "The Virgin and Child with Saints Donatian and George and Canon Joris van der Paele". Painted around 1436, this oil on wood artwork is housed in the Groeningemuseum in Bruges, Belgium. The image depicts the seated Virgin Mary enthroned with the Christ child on her lap, surrounded by saints. What immediately catches the eye is the intricate floral motif adorning the background. Delicate blossoms intertwine with lush green leaves, creating a vibrant tapestry of nature's beauty. A small bird perched nearby adds an element of liveliness to this religious scene. Canon Joris van der Paele kneels before Mary and Jesus, his hands clasped in prayer. His presence emphasizes the spiritual significance of this momentous encounter. The attention to detail is remarkable; every fold of fabric and expression on each face is expertly rendered by Van Eyck's skilled hand. This exquisite piece exemplifies Northern Renaissance art at its finest. Van Eyck's mastery shines through as he captures not only religious devotion but also a sense of human tenderness between mother and child. As we gaze upon this print, we are transported back to fifteenth-century Flanders, where art flourished under Van Eyck's brushstrokes. It serves as a testament to both his talent as an artist and his deep faith in Christianity - a timeless reminder that great works of art can inspire generations for centuries to come.
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