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Glass Coaster : Detail from the Virgin and Child with Saints Donatian and George and Canon Joris van der Paele, c. 1436 (oil on wood)
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Detail from the Virgin and Child with Saints Donatian and George and Canon Joris van der Paele, c. 1436 (oil on wood)
862496 Detail from the Virgin and Child with Saints Donatian and George and Canon Joris van der Paele, c.1436 (oil on wood) by Eyck, Jan van (c.1390-1441); Groeningemuseum, Bruges, Belgium; © Art in Flanders
Media ID 28435542
© Art in Flanders / Bridgeman Images
Canon Enthroned Eyck Eyck Jan Van 1390 1441 Flanders Floriated George Jan Van 1390 1441 Jan Van Eyck Motif Northern Posy 15th 15 Xv Xvth Fifteenth Century Belgians Belgium Belgian Joris
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 5.7cm x 7.6cm (2.2" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a mesmerizing detail from Jan van Eyck's masterpiece, "The Virgin and Child with Saints Donatian and George and Canon Joris van der Paele". Painted around 1436, this oil on wood artwork is housed in the Groeningemuseum in Bruges, Belgium. The image depicts the seated Virgin Mary enthroned with the Christ child on her lap, surrounded by saints. What immediately catches the eye is the intricate floral motif adorning the background. Delicate blossoms intertwine with lush green leaves, creating a vibrant tapestry of nature's beauty. A small bird perched nearby adds an element of liveliness to this religious scene. Canon Joris van der Paele kneels before Mary and Jesus, his hands clasped in prayer. His presence emphasizes the spiritual significance of this momentous encounter. The attention to detail is remarkable; every fold of fabric and expression on each face is expertly rendered by Van Eyck's skilled hand. This exquisite piece exemplifies Northern Renaissance art at its finest. Van Eyck's mastery shines through as he captures not only religious devotion but also a sense of human tenderness between mother and child. As we gaze upon this print, we are transported back to fifteenth-century Flanders, where art flourished under Van Eyck's brushstrokes. It serves as a testament to both his talent as an artist and his deep faith in Christianity - a timeless reminder that great works of art can inspire generations for centuries to come.
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