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Tote Bag : Golden Prospects, St Catherines Well, Lands End, Cornwall, 1881 (oil on canvas)
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Golden Prospects, St Catherines Well, Lands End, Cornwall, 1881 (oil on canvas)
3744044 Golden Prospects, St Catherines Well, Lands End, Cornwall, 1881 (oil on canvas) by Brett, John (1831-1902); 106.7x214 cm; Nottingham City Museums and Galleries (Nottingham Castle); eNottingham City Museums & Galleries; English, out of copyright
Media ID 22508888
© Nottingham City Museums & Galleries / Bridgeman Images
Blue Sky Cliff Cornish Fishing Boat Gaze Gazing Rocky Vista
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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
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EDITORS COMMENTS
"Golden Prospects, St Catherines Well, Lands End, Cornwall, 1881 captures the breathtaking beauty of the Cornish coastline in a mesmerizing oil on canvas masterpiece. Painted by John Brett in 1881, this artwork measures an impressive 106.7x214 cm and is housed at Nottingham City Museums and Galleries. The painting showcases a stunning vista of rugged cliffs overlooking the vast expanse of the ocean. The deep blue sky perfectly complements the serene waters below, creating a harmonious contrast that captivates the viewer's gaze. A lone fishing boat can be seen peacefully navigating through the waves, adding a touch of human presence to this picturesque scene. Intriguingly, amidst this awe-inspiring landscape stands a child gazing out towards the horizon with wonder and curiosity. Their innocent presence adds an element of innocence and hope to this otherwise majestic setting. Brett's meticulous attention to detail is evident in his portrayal of every rock formation and crashing wave. The rocky terrain serves as a reminder of nature's raw power while also highlighting its enduring beauty. This enchanting painting transports us back to 19th-century England when landscapes like these were celebrated for their untouched splendor. It invites us to immerse ourselves in its tranquility and appreciate nature's grandeur through Brett's skillful brushstrokes. As we admire "Golden Prospects" we are reminded that even amidst life's uncertainties, there will always be golden prospects waiting for those who dare
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