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Tote Bag : Two Models embracing, 1904 (cyanotype)

Two Models embracing, 1904 (cyanotype)



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Two Models embracing, 1904 (cyanotype)

LIN239482 Two Models embracing, 1904 (cyanotype) by Sambourne, Edward Linley (1844-1910); 16.5x12 cm; Linley Sambourne House, London, UK; eLinley Sambourne House; English, out of copyright

Media ID 22952154

© Linley Sambourne House / Bridgeman Images

Draped Nonchalant Strolling


Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")

These are individually made so all sizes are approximate


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Cornelis van Poelenburgh or Poelenburch

> Fine Art Finder > Artists > Edward Linley Sambourne

> Arts > Artists > P > Cornelis van Poelenburgh or Poelenburch

> Arts > Artists > S > Edward Linley Sambourne

> Europe > United Kingdom > England > London > Towns > Bow


EDITORS COMMENTS
This cyanotype print, titled "Two Models embracing, 1904" captures a moment of intimate connection between two figures. Created by the talented Edward Linley Sambourne in London, this artwork measures 16.5x12 cm and is housed at the renowned Linley Sambourne House. In this image, we witness the delicate beauty of two female models as they embrace each other with grace and tenderness. The drapery that adorns their bodies adds an elegant touch to the composition while simultaneously hinting at their vulnerability. Their arms entwined suggest a deep bond or perhaps even a secret shared between them. The artist's use of cyanotype technique lends an ethereal quality to the photograph, enhancing its timeless appeal. With nonchalant expressions on their faces and hair tied back loosely, these nude figures exude confidence and freedom in their nakedness. As we observe these models strolling together, it becomes evident that there is more than meets the eye in this image. Are they simply posing for artistic purposes? Or does their nudity symbolize something deeper? Perhaps they are challenging societal norms or expressing personal liberation through their uninhibited state. Regardless of interpretation, "Two Models embracing" invites us to explore themes of intimacy, femininity, and self-expression within art photography. It serves as a testament to Sambourne's skillful craftsmanship and his ability to capture profound emotions through his lens.

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