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Antique Framed Print : Two Models embracing, 1904 (cyanotype)
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Two Models embracing, 1904 (cyanotype)
LIN239482 Two Models embracing, 1904 (cyanotype) by Sambourne, Edward Linley (1844-1910); 16.5x12 cm; Linley Sambourne House, London, UK; eLinley Sambourne House; English, out of copyright
Media ID 22952154
© Linley Sambourne House / Bridgeman Images
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 18cm x 24.4cm (7.1" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This cyanotype print, titled "Two Models embracing, 1904" captures a moment of intimate connection between two figures. Created by the talented Edward Linley Sambourne in London, this artwork measures 16.5x12 cm and is housed at the renowned Linley Sambourne House. In this image, we witness the delicate beauty of two female models as they embrace each other with grace and tenderness. The drapery that adorns their bodies adds an elegant touch to the composition while simultaneously hinting at their vulnerability. Their arms entwined suggest a deep bond or perhaps even a secret shared between them. The artist's use of cyanotype technique lends an ethereal quality to the photograph, enhancing its timeless appeal. With nonchalant expressions on their faces and hair tied back loosely, these nude figures exude confidence and freedom in their nakedness. As we observe these models strolling together, it becomes evident that there is more than meets the eye in this image. Are they simply posing for artistic purposes? Or does their nudity symbolize something deeper? Perhaps they are challenging societal norms or expressing personal liberation through their uninhibited state. Regardless of interpretation, "Two Models embracing" invites us to explore themes of intimacy, femininity, and self-expression within art photography. It serves as a testament to Sambourne's skillful craftsmanship and his ability to capture profound emotions through his lens.
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