Tote Bag > Asia > China > Shanghai
Tote Bag : EyeUbiquitous_20108519
Home Decor from EyeUbiquitous
EyeUbiquitous_20108519
China, Shanghai, Revolutionary kitsch on sale at at Dongtai antique market, Chairman Mao Zedong and Che Guevara and Red Star shoulder bags Chinese characters read Serve the People, Lin Biao calendar atop Shanghai Belle advertizing poster, Fake antique boxes and abacus
Eye Ubiquitous specialise in unique images of People and Places, their Cultures and Environments
Media ID 20077548
© Trevor Page / Eye Ubiquitous
Bags Calendar China Revolution Revolutionary Shanghai Abacus Chairman Mao Che Guevara Kitsch Mao Zedong Red Star
Canvas Tote Bag
Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 50cm x 32.7cm (19.7" x 12.9")
These are individually made so all sizes are approximate
FEATURES IN THESE COLLECTIONS
> EyeUbiquitous
> Food & Markets
> Popular Themes
> Chairman Mao
EDITORS COMMENTS
In this print captured by Trevor Page, we are transported to the vibrant streets of Shanghai's Dongtai antique market. The image is a kaleidoscope of revolutionary kitsch, brimming with cultural symbolism and political nostalgia. At first glance, our eyes are drawn to the array of shoulder bags adorned with iconic figures like Chairman Mao Zedong and Che Guevara. These bold accessories proudly display the emblematic red star and Chinese characters that read "Serve the People" evoking memories of China's revolutionary past. Perched atop a Shanghai Belle advertising poster is a Lin Biao calendar, serving as a reminder of another influential figure in Chinese history. The juxtaposition between these historical references and modern-day consumerism creates an intriguing contrast within the photograph. Further exploration reveals fake antique boxes scattered amidst an abacus—a symbol of traditional Chinese craftsmanship—adding an element of irony to this bustling marketplace. This collision between genuine artifacts and mass-produced imitations raises questions about authenticity in today's world. Page skillfully captures not only the visual spectacle but also invites us to reflect on how history intertwines with contemporary culture. Through his lens, he presents us with a snapshot that encapsulates both China's rich heritage and its ever-evolving society. Overall, this thought-provoking image serves as a testament to Shanghai's dynamic spirit—an amalgamation where tradition meets progress—and leaves viewers captivated by its intricate details for hours on end.
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