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Lavaters physiognomy, 19th century

Lavaters physiognomy. This posthumously published study by the Swiss poet Johann Kaspar Lavater (1741-1801) gives 20 labelled features on a womans face, explained using physiognomy. The labels are given in French at bottom. Physiognomy, the practice of assessing personality traits from the appearance of a persons face, was popularised by Lavater. The study was provided by Lavaters nephew, and this copy is from the German book Die Karikatur und Satire in der Medizin (Caricature and Satire in Medicine, 1921) by the German art historian and physician Eugen Hollander (1867-1932)

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6330753

© SCIENCE PHOTO LIBRARY

1921 Art History Diagram Die Karikatur Und Satire In Der Medizin Eugen Hollander Face Facial Feature Features French French Language History Of Medicine Label Labelled Labels Patient Physiognomy Printed Swiss Table Text Theory Traits Writing Johann Kaspar Lavater Mono Chrome Posthumous Pseudoscientific

17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 18.6cm x 24.4cm (7.3" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
This print showcases Lavaters physiognomy, a groundbreaking study from the 19th century. Created by Swiss poet Johann Kaspar Lavater, this posthumously published work delves into the practice of assessing personality traits based on facial appearances. The print features a woman's face with 20 labeled features, all explained using the principles of physiognomy. These labels are presented in French at the bottom, adding an air of elegance to this historical piece. Physiognomy gained popularity thanks to Lavater's efforts and became widely known as a pseudoscientific approach to understanding human nature. This particular copy of his unpublished study is sourced from "Die Karikatur und Satire in der Medizin" a German book written by Eugen Hollander, an art historian and physician. The monochrome illustration captures the essence of this intriguing field while also highlighting its connection to medicine and history. As we observe this thought-provoking artwork, it serves as a reminder that throughout time people have sought ways to decipher character traits through physical appearance. With its rich historical context and detailed depiction of facial features, this print offers us a glimpse into both Lavaters indiscretions and the evolution of medical theory during the 1800s. It stands as an important artifact within art history and provides valuable insight into our fascination with understanding ourselves through external attributes.

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