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Premium Framed Print : Kelvingrove Art Gallery and Museum June 1999 Exterior entrance Location for film House

Kelvingrove Art Gallery and Museum June 1999 Exterior entrance Location for film House



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Kelvingrove Art Gallery and Museum June 1999 Exterior entrance Location for film House

Kelvingrove Art Gallery and Museum June 1999 Exterior entrance Location for film House of Mirth

George Hunter
mirrorpix
Glasgow
Scotland
GL*805527

Media ID 21487433

© Mirrorpix

Glasgow Great Britain Landscape Museums Scotland 1999 Buildings And Structures Photography And Film


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 26.2cm (15.6" x 10.3")

Estimated Product Size is 58.4cm x 48.2cm (23" x 19")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Memory Lane Prints > Mirror > 0100to0199 > 00188

> Architecture > Country > Scotland

> Architecture > Great Houses

> Arts > Contemporary art > Photography > Landscape photography

> Arts > Film

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > Scotland > Glasgow

> Europe > United Kingdom > Scotland > Posters

> Europe > United Kingdom > Scotland > Strathclyde > Glasgow

> Popular Themes > Film Poster

> Posters > Movie Posters > Related Images


EDITORS COMMENTS
This print captures the grandeur of Kelvingrove Art Gallery and Museum's exterior entrance in June 1999. The iconic building, located in Glasgow, Scotland, stands as a testament to the architectural brilliance of the 20th century. Its imposing structure is beautifully framed against a picturesque landscape that exudes tranquility. In this particular shot, we are reminded of the museum's significant role beyond being a cultural hub. It served as a filming location for "House of Mirth" adding another layer of historical significance to its already rich tapestry. The film's presence further highlights Kelvingrove Art Gallery and Museum's versatility and allure. The photographer, George Hunter, skillfully captures every intricate detail with his lens. From the ornate carvings on the facade to the majestic columns that flank its entrance, each element contributes to an overall sense of awe-inspiring beauty. Kelvingrove Art Gallery and Museum has long been cherished by locals and visitors alike for its diverse collection spanning art, history, and natural sciences. This photograph transports us back to a time when this magnificent institution was at once both timeless and contemporary—a true gem nestled within Great Britain's cultural landscape. As we gaze upon this stunning image from Memory Lane Prints, we cannot help but appreciate how it encapsulates not only an architectural marvel but also evokes nostalgia for an era gone by—the vibrant spirit of Glasgow in the late 1990s forever frozen in time through George Hunter's lens.

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