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Premium Framed Print : Cartoon, Henry Irving and Harry Hart

Cartoon, Henry Irving and Harry Hart



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Cartoon, Henry Irving and Harry Hart

Cartoon, Henry Irving, theatre manager, and Harry Hart, nicknamed the " Happy Hebrew", music hall manager, commenting on how the International Health Exhibition in South Kensington is taking away their audiences.
1884

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14416528

© Mary Evans Picture Library

1884 Bryan Business Cigar Entracte Harry Hart Health Hebrew Irving Jewish Manager Nickname Whiskers


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 17.3cm x 24.4cm (6.8" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Harry Hall

> Europe > United Kingdom > England > London > Art > Music > Related Images

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > London > Boroughs > Kensington and Chelsea

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Towns > Kensington

> Europe > United Kingdom > England > London > Towns > South Kensington

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images


EDITORS COMMENTS
In this humorous cartoon from August 1884, published in the satirical magazine "Entracte," two prominent figures of the London entertainment scene, Henry Irving, the renowned theatre manager, and Harry Hart, affectionately known as the "Happy Hebrew" or "Harry the Jew," exchange concerns over the impact of the recently opened International Health Exhibition in South Kensington on their respective businesses. Irving, dressed in formal attire and wearing a top hat, smokes a cigar with a serious expression, while Hart, seated next to him, sports a bushy beard and whiskers, and holds a hat in his hand. Hart, a popular music hall manager, looks worried and jokingly comments, "I'm afraid, Mr. Irving, that the International Health Exhibition is going to put us both out of business!" The cartoonist cleverly employs the use of stereotypes and humor to highlight the contrasting personalities and roles of these two influential men in the London entertainment industry. Irving, the distinguished theatre manager, represents high culture and serious art, while Hart, the music hall manager, symbolizes popular entertainment and amusement. The International Health Exhibition, which showcased the latest advancements in medical technology and public health, attracted large crowds during the summer of 1884. The cartoonist uses this event as a backdrop to explore the competitive nature of the entertainment industry and the challenges faced by these two men in maintaining their audiences. This cartoon offers a unique glimpse into the social and cultural landscape of Victorian London, where high and low forms of entertainment coexisted and competed for the public's attention.

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