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Anonymous portrait tradtionally attributed to
Anonymous portrait tradtionally attributed to Pedro Berruguete (15th c.). The obverse of the canvas has a representation of Lamenation over the Dead Christ. Renaissance art. Oil on wood. SPAIN. Madrid. Lạ ro Galdiano Foundation
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Media ID 8268467
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10686177
Anonymous Attributed Berruguete Christ Dead Foundation Galdiano Lq1 Ro Obverse Pedro Renaissance Representation 15th
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 27.1cm x 39.6cm (10.7" x 15.6")
Estimated Product Size is 48.2cm x 58.4cm (19" x 23")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This exquisite 15th century Spanish painting, traditionally attributed to Pedro Berruguete, showcases the profound depth and emotional intensity of the Renaissance period. The obverse of the vertical wood panel is adorned with a poignant representation of the Lamentation over the Dead Christ. The scene unfolds as the Virgin Mary and other mourners tenderly touch and caress the lifeless body of Christ, their faces etched with sorrow and despair. The use of oil on wood allows for the intricate details of the figures' expressions and the delicate folds of their robes to come alive. The Lamentation over the Dead Christ is a common theme in Christian art, symbolizing the grief and mourning of the Virgin Mary and the disciples following the crucifixion of Jesus Christ. This anonymous masterpiece, held in the prestigious Lázaro Galdiano Foundation in Madrid, Spain, is a testament to the enduring influence of the Renaissance era and the profound impact it had on the development of Western art. The painting's provenance is shrouded in mystery, with the attribution to Pedro Berruguete, a prominent Spanish painter of the period, being a subject of scholarly debate. Regardless of its creator, this work of art serves as a powerful reminder of the human capacity for emotion and the transformative power of art to evoke deep feelings and inspire contemplation.
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