Premium Framed Print : William Blake after Henry Fuseli, British (1757-1827), Queen Katherines Dream [recto]
![William Blake after Henry Fuseli, British (1757-1827), Queen Katherines Dream [recto]](/image/694/12934815/12934815_600_600_68375_564_fit_0_fedd15e514b1bb0d45830000348e0c6c.jpg.webp "William Blake after Henry Fuseli, British (1757-1827), Queen Katherines Dream [recto]")
![William Blake after Henry Fuseli, British (1757-1827), Queen Katherines Dream [recto]](/p/694/william-blake-henry-fuseli-british-1757-1827-12934815.jpg.webp "William Blake after Henry Fuseli, British (1757-1827), Queen Katherines Dream [recto]")
Framed Photos from Liszt Collection
William Blake after Henry Fuseli, British (1757-1827), Queen Katherines Dream [recto]
William Blake after Henry Fuseli, British (1757-1827), Queen Katherines Dream [recto], c. 1804, graphite, squared, on laid paper
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12934815
© Quint Lox Limited
1757 1804 1827 Blake Dream Fuseli Henry Queen Squared William William Blake Katherines
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19.4cm x 24.4cm (7.6" x 9.6")
Estimated Product Size is 38.1cm x 43.1cm (15" x 17")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the artistic collaboration between two renowned British artists, William Blake and Henry Fuseli. Titled "Queen Katherine's Dream [recto]" this piece was created around 1804 using graphite on laid paper. The attention to detail is evident in every stroke, as the intricate lines bring life to the composition. William Blake, known for his visionary poetry and artistry, pays homage to Henry Fuseli's original work through this print. It serves as a testament to their shared passion for storytelling and imagination. The fusion of their distinct styles creates a harmonious blend that captivates viewers. "Queen Katherine's Dream [recto]" transports us into a world of dreams and fantasies. As we gaze upon it, we are drawn into an ethereal realm where reality intertwines with the surreal. Each element within the artwork holds symbolic significance, inviting us to unravel its hidden meanings. Quint Lox Limited has expertly reproduced this masterpiece from the Liszt Collection with utmost precision and care. Their dedication ensures that admirers can now own a faithful representation of this extraordinary collaboration between two legendary artists. This print is not just an exquisite addition to any art collection; it is also a window into the creative minds of William Blake and Henry Fuseli – reminding us of their lasting impact on British art history.
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