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Premium Framed Print : View Kbor er Roumia Views Algeria Moulin Felix Jacques

View Kbor er Roumia Views Algeria Moulin Felix Jacques



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Liszt Collection

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View Kbor er Roumia Views Algeria Moulin Felix Jacques

View of Kbor er Roumia, Views of Algeria, Moulin, Felix Jacques, b. 1802, Albumen, ca. 1856-1857, Kbor er Roumia, the royal Mauritanian mausoleum, also known as the Tomb of the Christian, is located near Tipasa and dates to the first century B.C. Kobeur Roumia, Tombeau de la Chretienne, Sepulture des Rois de Mauritanie sur le bord de la mer. entre Sidi Ferruch et Tipaza. No. 121--typeset label pasted on mount. 21--written on upper left corner of photograph

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18503592

© Liszt Collection

1802 Albumen Algeria Bord Christian Corner Dates Located Mausoleum Moulin Mount Pasted Tomb Upper Left Written Chretienne First Century Mauritanie Rois Tipasa


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 16.8cm (9.6" x 6.6")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Algeria > Algeria Heritage Sites > Tipasa

> Africa > Algeria > Related Images

> Africa > Mauritania > Related Images


EDITORS COMMENTS
This print by Felix Jacques Moulin takes us on a visual journey to the mesmerizing views of Kbor er Roumia in Algeria. The image, captured using the albumen process around 1856-1857, showcases the remarkable beauty and historical significance of this ancient site. Kbor er Roumia, also known as the Tomb of the Christian, is a royal Mauritanian mausoleum that dates back to the first century B. C. Located near Tipasa and situated along the breathtaking coastline between Sidi Ferruch and Tipaza, it stands as a testament to Algeria's rich cultural heritage. The photograph portrays an awe-inspiring panorama of this magnificent tomb surrounded by picturesque landscapes. Its architectural grandeur is beautifully highlighted against the backdrop of the sea. As we gaze upon this scene, we are transported back in time to an era when kings from Mauritania found their eternal resting place within these sacred grounds. With meticulous attention to detail, Moulin captures every intricate feature of Kbor er Roumia through his lens. The composition exudes tranquility and invites contemplation about history's enduring legacy. This print serves as a window into Algeria's past while simultaneously celebrating its natural splendor. It reminds us of our connection with ancient civilizations and urges us to preserve and appreciate their remnants for generations to come.

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