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Premium Framed Print : Reis Effendi Head Chancery head chancellery second lieutenant
Framed Photos from Liszt Collection
Reis Effendi Head Chancery head chancellery second lieutenant
The Reis Effendi, Head of the Chancery The Reis Effendi, head of the chancellery, The head of the chancellery and second lieutenant of the grand vizier, sitting on the floor behind his desk, surrounded by papers. From 2 August 1718 until the Patrona Halil uprising in September 1730, Ucanbarli Mehmed Efendi served as the Journey Efendi. He was considered one of the greatest scholars of his time and there is a relatively large amount of biographical information about him. He was born in Istanbul in 1673 or 1674 and died in August or September of the year 1732. In the portrait that Vanmour made of him, he is probably around 57 years old. His nickname was Ucanbarli, which means the three warehouses and refers to his possessions, writing accessories, historical persons not known by name, Turkey, Jean Baptiste Vanmour, c. 1727 - c. 1730, canvas, oil paint (paint), h 34.5 cm × w 27 cm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19554097
© Artokoloro
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 18.6cm x 24.4cm (7.3" x 9.6")
Estimated Product Size is 38.1cm x 43.1cm (15" x 17")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The portrait captures the esteemed figure of Reis Effendi, the Head of the Chancery and second lieutenant of the grand vizier, in his study. Ucanbarli Mehmed Efendi, as he was known, held this prestigious position from 1718 to 1730 and was hailed as one of the greatest scholars of his time. Born in Istanbul around 1673 or 1674, he passed away in August or September of 1732. In this painting by Jean Baptiste Vanmour, Ucanbarli is depicted at approximately 57 years old. Sitting on the floor behind his desk, surrounded by a sea of papers, he exudes an air of intellectual prowess and authority. The nickname "Ucanbarli" meaning "the three warehouses" alludes to his vast possessions and collection of writing accessories. This artwork offers a glimpse into Ucanbarli's world - a realm where knowledge reigns supreme. His dedication to scholarship is evident through the meticulous arrangement of books and scrolls that adorn his study. With every stroke captured on canvas with oil paint, Vanmour immortalizes not only Ucanbarli but also an era defined by intellectual curiosity. The portrait serves as a testament to Ucanbarli's legacy as well as an homage to Turkish history itself. Through this print from Liszt Collection, we are transported back in time to witness firsthand the brilliance and influence embodied by this remarkable individual who left an indelible mark on society during his lifetime
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