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Premium Framed Print : The tomb of the favourite Sultan of Akbar Khan at Agra, 1847
Framed Photos from Heritage Images
The tomb of the favourite Sultan of Akbar Khan at Agra, 1847
The tomb of the favourite Sultan of Akbar Khan at Agra, 1847. The Taj Mahal in India, the great marble mausoleum built by Shah Jahan (1592-1666), Mughal emperor, for his wife Arjumand Banu Begam (died 1631) called Mumtaz Mahal (Favourite of the Palace). The Taj Mahal is generally considered the finest example of Mughal architecture, a style that combines elements of Indian and Persian architectures. Shah Jahan was buried in the Taj with his wife. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)
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Media ID 14935434
© The Print Collector / Heritage-Images
Agra Akbar Akbar The Great Arjumand Banu Arjumand Banu Begam B Clayton Begam Clayton Corner Dome Grief Jahan Jalaluddin Muhammad Akbar Jalaluddin Muhammad Akbar Timurid Jamuna Khurram Marble Mausoleum Memorial Miss Corner Miss Julia Mughal Mumtaz Mahal Remembrance River Jamuna River Jumna River Yamuna Shah Shah Jahan Taj Mahal Timurid Tribute Uttar Pradesh Yamuna Hindoostan
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 25.5cm (15.6" x 10")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the tomb of the favourite Sultan of Akbar Khan at Agra in 1847. Standing proudly against the backdrop of India's majestic Taj Mahal, this great marble mausoleum was constructed by Mughal emperor Shah Jahan as a testament to his undying love for his beloved wife, Arjumand Banu Begam, known as Mumtaz Mahal (Favourite of the Palace). The Taj Mahal is hailed as an exquisite masterpiece of Mughal architecture, blending elements from both Indian and Persian styles. In this illustration taken from "The History of China and India" by Miss Corner in 1847, we are transported back to a time when grief and remembrance were etched into every detail. The white dome stands tall amidst its surroundings on the riverbank of Yamuna, drawing visitors from far and wide who seek solace or simply marvel at its grandeur. As we delve into this image further, we witness boats gently gliding along the tranquil waters surrounding Agra. This picturesque scene serves as a poignant reminder that even in death, love transcends boundaries and geographical features. It is here that Shah Jahan found eternal rest alongside his cherished wife. With each brushstroke captured within this engraving by Unknown creator alongside notable figures such as Miss Julia Corner and B Clayton; history comes alive before our eyes. This print not only immortalizes a remarkable architectural wonder but also invites us to reflect upon themes of devotion, loss, and spiritual transcendence that continue to resonate with audiences today.
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