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Premium Framed Print : La hache qui le coupera n'est pas encore trempée, 1871. Creator: Honore Daumier

La hache qui le coupera n'est pas encore trempée, 1871. Creator: Honore Daumier



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La hache qui le coupera n'est pas encore trempée, 1871. Creator: Honore Daumier

La hache qui le coupera n'est pas encore trempee, 1871.
The axe that will cut it is not yet soaked

Heritage Images features heritage image collections

Media ID 36290846

© Heritage Art/Heritage Images

Actualites Caricatures Cartoons Daumier Honore Daumier Honore Victorin Gillotype Gillotype On Newsprint H Daumier Honore Daumier Honore Victorin Daumier Newsprint Photo Engraving Suffrage Title Tools Universal Suffrage Vote Votes Voting Parody Satirical Titled


31"x27" (79x69cm) Premium Frame

FSC real wood frame with double mounted 24x20 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 31x27 inches (787x685mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 53.9cm x 59.9cm (21.2" x 23.6")

Estimated Product Size is 68.5cm x 78.7cm (27" x 31")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Honore Daumier

> Arts > Pop art > Satire > Satirical artwork

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > France > Le Mans

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images

> Popular Themes > Politics


La hache qui le coupera n'est pas encore trempee,

EDITORS COMMENTS
or "The axe that will cut it is not yet soaked," is a captivating caricature created by the renowned French artist Honore Daumier in 1871. This monochrome print, featuring a humorous and satirical depiction, is a testament to the rich cultural heritage of the 19th century. Daumier's masterful use of line and form brings to life a scene of two men standing in a forest, each wielding an axe, as they contemplate a tree. The title of the work suggests that the tree's fate is not yet sealed, but the ominous presence of the axes and the determined expressions on the men's faces hint at an impending act of destruction. The print, which is a gillotype on newsprint, showcases Daumier's exceptional skill as a caricaturist and his ability to infuse his work with political and social commentary. The use of black and white contrasts effectively to highlight the figures and the texture of the tree and the forest background. Daumier's "La hache qui le coupera n'est pas encore trempee" is a fascinating glimpse into the past, offering a glimpse into the daily life and the concerns of the people of France during the 19th century. The print is a must-see for anyone interested in the history of art, politics, and satire. This work is part of a larger series by Daumier that explores the themes of nature, politics, and the human condition. It is a valuable addition to any art collection or gallery, and its timeless humor and relevance continue to resonate with audiences today. The National Gallery of Art in Washington, D.C. is just one of the many prestigious institutions that have recognized the importance of Daumier's work and have included it in their permanent collections.

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