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Premium Framed Print : Eight Hours at the Sea-Side - drawn by John Leech, 1856. Creator: Unknown
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Eight Hours at the Sea-Side - drawn by John Leech, 1856. Creator: Unknown
Eight Hours at the Sea-Side - drawn by John Leech, 1856. Whit-Monday Bank Holiday on Brighton Beach. Great credit is due to the managers of the South Coast Railway for their determination to supply to the labourers of mind and body the means of breathing for eight hours at least the invigorating sea-breeze, and to give change to the mind deadened by the association from week's end to week's end with brick walls, or whizzing wheels, or blazing furnaces, or other implements of labour. We do not know at what charge this holiday is procurable; but it seems to be so valued that those who use it are to be reckoned by thousands'. Note bathing machine for ladies in the background. From "Illustrated London News", 1856
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Media ID 36321214
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Bank Holiday Bathing Bathing Machine Beach Brighton East Sussex England Class Day Out Day Trip Fresh Air Holiday Holidaymaker Holidaymakers Holidays John Leech Leech John Outing Picnic Relaxation Relaxing Rowing Boat Seaside Seaweed Social Class Top Hat Top Hats Tophat Vacation Working Class Whit Monday
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 26.8cm (15.6" x 10.6")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Eight Hours at the Sea-Side,
EDITORS COMMENTS
a captivating 1856 drawing by John Leech published in the "Illustrated London News," depicts a lively scene of working-class families enjoying their Whit-Monday Bank Holiday on Brighton Beach in East Sussex, England. The image showcases the determination of the South Coast Railway to provide laborers with a much-needed respite from their monotonous workweek, offering them a chance to breathe in the rejuvenating sea breeze and escape the confines of brick walls, whizzing wheels, or blazing furnaces. The print captures the essence of a day out by the sea, with people of all ages and genders dressed in 19th-century apparel, including men in top hats and women in dresses, enjoying a leisurely picnic on the sand. Children playfully frolic in the shallow waters, while others explore the rocky shoreline, collecting seaweed and pebbles. In the background, a bathing machine for ladies can be seen, indicating the presence of more refined bathing practices for the upper classes. The boats and rowing boats in the foreground add to the sense of adventure and relaxation, as holidaymakers take advantage of the opportunity to travel and explore the coastal waters. The overall scene exudes a feeling of joy and relief from the daily grind, highlighting the importance of leisure and relaxation during a time when work dominated most people's lives. This evocative drawing by John Leech offers a glimpse into the past, providing a window into the social fabric of Victorian Britain and the value placed on holidays and days out by the working class. The print remains a testament to the enduring appeal of the seaside as a popular destination for relaxation and recreation.
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