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Premium Framed Print : Fakirs Wounding Themselves, c1891. Creator: James Grant

Fakirs Wounding Themselves, c1891. Creator: James Grant



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Fakirs Wounding Themselves, c1891. Creator: James Grant

Fakirs Wounding Themselves, c1891. From " Cassells Illustrated History of India Vol. II.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Heritage Images features heritage image collections

Media ID 25322697

© The Print Collector/Heritage Images

Bare Chested Barechested Belief British India British Raj Cassell Petter Galpin Cassells Illustrated History Of India Fakir Galpin Grant James Holy Man Imperialism India Asia James Grant Petter And Petter And Galpin Semi Dress Semi Naked The Raj Traditional Culture Wound Wounded Wounding British Empire Cassell Hindoostan Self Flagellation


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 19.7cm x 24.4cm (7.8" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Literature > Illustration

> Arts > Literature

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Asia > India > Related Images

> Asia > Related Images

> North America > United States of America > New York > Related Images

> Popular Themes > Religious Images


EDITORS COMMENTS
This photo print, titled "Fakirs Wounding Themselves, c1891" takes us back to the 19th century in British India. Created by James Grant for his book "Cassells Illustrated History of India Vol. II" this image offers a glimpse into the fascinating world of Indian religious practices. In this thought-provoking portrait, three bare-chested fakirs are depicted engaging in an intense act of self-flagellation. With their semi-dressed bodies covered in wounds, these holy men demonstrate their unwavering devotion to their faith and belief system. The photograph captures not only the physical pain endured by these individuals but also the depth of their spiritual commitment. Grant's illustration serves as a powerful reminder of the rich cultural heritage and traditional customs that existed during the time of British imperialism in India. It provides valuable insight into indigenous practices that were deeply rooted in Indian society. As we observe this striking image, we are transported to a different era where religion played a significant role in shaping people's lives. Through Grant's lens, we witness both the physical suffering and inner strength exhibited by these fakirs. This print is more than just a historical artifact; it represents an important chapter in India's past and invites us to reflect on the complexities of faith and tradition.

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