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Premium Framed Print : The Excommunication of Robert the Pious, 1875. Artist: Jean-Paul Laurens
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The Excommunication of Robert the Pious, 1875. Artist: Jean-Paul Laurens
The Excommunication of Robert the Pious, 1875. Nicknamed the Pious, Robert II (972-1031) was King of France from 996. He was temporarily excommunicated by Pope Gregory V, who would not sanction Roberts marriage to his second wife, Bertha, Princess of Burgundy, on the grounds that they were cousins. From the Musee d Orsay, Paris, France
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Media ID 14867550
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10th Century Adoring Adult Adverse Bishop Cherishing Clergyman Cleric Comforting Cousin Departing Despair Discontent Discontentment Disgruntled Dissatisfied Distress Distressed Doorway Excommunication Exiting Expulsion Fondness Front View Full Body Heartache Hopeless Human Being Husband Illustration And Painting Indoor Jean Paul Jean Paul Laurens Judgement Judgment Kinfolk King Of France Laurens Leaving Lover Men And Women Person Priest Punishment Reacting Regard Rejected Rejecting Rejection Relative Robert Ii Sorrow Spouse Tapestry Tenth Century Throne Unfavorable Unhappiness Unsatisfied Whole Body Wife Bertha Determining Roman Catholicism
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 27.1cm (15.6" x 10.7")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Excommunication of Robert the Pious, 1875
EDITORS COMMENTS
by Jean-Paul Laurens captures a pivotal moment in French history. The painting depicts King Robert II, known as "The Pious" facing the consequences of his forbidden love for his second wife, Bertha. Pope Gregory V has excommunicated him due to their familial relationship as cousins. In this powerful scene, set within the grandeur of a palace interior, we witness the anguish and despair on the faces of both Robert and Bertha. The couple sits together on a throne while a distressed clergyman stands nearby, symbolizing their rejection by the Church. Laurens skillfully portrays not only their emotional turmoil but also highlights societal expectations and religious constraints that governed medieval Europe. Through his use of color and oil medium, he evokes a sense of sorrow and hopelessness surrounding this doomed union. This painting serves as an illustration of human struggle against societal norms and religious dogma during the 10th century. It reminds us that even monarchs were subject to judgment and punishment for defying established conventions. Displayed at Musee d'Orsay in Paris, France, this artwork allows viewers to contemplate themes such as love versus duty, personal desires conflicting with social obligations, and ultimately reflects upon our own understanding of marriage and faith throughout history.
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