Regard Collection

The Return of the Prodigal Son, c1668. Artist: Rembrandt Harmensz van Rijn
The Return of the Prodigal Son, c1668

Egypt / Sphinx 1910
This scene shows clearly not only the awesome size of the sculpture, but also its location in regard to the Pyramids

Virgin and Child, 16th century. From the Benaki Museum, Athens, Greece

Christ Appearing to His Mother, c1440. Artist: Rogier Van der Weyden
Christ Appearing to His Mother, c1496. The scene on the right panel of the Miraflores Altarpiece is the only one in this altarpiece that illustrates two events at once

Young couple on a romantic greetings card, sitting on a vine branch -- With affection and regard. Date: circa 1890s

Letter Q. Curious young girl. Engraving (Chromolithography - Chromo) in " The Great Bebe Alphabet"
DUV4210249 Letter Q. Curious young girl. Engraving (Chromolithography - Chromo) in " The Great Bebe Alphabet". Paul Bernardin, bookseller-publisher, Paris, circa 1900

Bride examining the contents of her marriage basket. Her bridesmaids show her lace, jewelry, diaments and finery
FLO4677656 Bride examining the contents of her marriage basket. Her bridesmaids show her lace, jewelry, diaments and finery

Narcissus seeing his reflection in a fountain becomes enamoured of himself. Copperplate engraving by W
FLO4607775 Narcissus seeing his reflection in a fountain becomes enamoured of himself. Copperplate engraving by W. Walker after an illustration by C

Letter U: Oh the beautiful Uniforms! Engraving in " ABC fun". Monrocq Freres, editors
DUV4207614 Letter U: Oh the beautiful Uniforms! Engraving in " ABC fun". Monrocq Freres, editors, beginning of the 20th century. 20 pages. Dim: 24,5x18,5cm

The beggar. Only the beggar was not visited by the figure of Death. Instead
FLO4675815 The beggar. Only the beggar was not visited by the figure of Death. Instead, this miserable sits sadly on his crackles out of town or people enter with only a glance in his direction

The Paris morgue, on a bank of the Seine, a woman turns away from the bodies
FLO4718528 The Paris morgue, on a bank of the Seine, a woman turns away from the bodies, an officer of the guards looks at a body of a woman

Portrait de Lisa
Jonathan L

Flower
Ksana But

Comment on Americas position before entering WW1 with regard to financing the allies

The Holy Family with a Shepherd, c1510. Artist: Titian
The Holy Family with a Shepherd, c1510. From the National Gallery, London

The Excommunication of Robert the Pious, 1875. Artist: Jean-Paul Laurens
The Excommunication of Robert the Pious, 1875. Nicknamed the Pious, Robert II (972-1031) was King of France from 996. He was temporarily excommunicated by Pope Gregory V

Virgin and Child icon, 1664. Artist: Emmanuel Tzanes
Virgin and Child icon, 1664. From the Byzantine Museum, Athens, Greece

Lovers in an Upstairs Room, from The Poem of the Pillow, 1788. Artist: Kitagawa Utamaro
Lovers in an Upstairs Room, from The Poem of the Pillow, 1788. From the British Museum, London

Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist, c1511. Artist: Hans Baldung
Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist, c1511. From the Washington National Gallery of Art, USA

Jupiter Beguiled by Juno, 18th / early 19th century. Artist: James Barry
Jupiter Beguiled by Juno, 18th/early 19th century. From the Sheffield Art Gallery, Sheffield

Venerated Wooden Figure
A tribal wooden statue of a figure whom is held with high regard among the natives of Fise Bay, British New Guinea, he is seen, huddled tightly on the spot, with tribal design covering his body

Advert for Harella coats, emphasising their smart fit from any angle. Date: 1943

Clement Attlee and General Jose Miaja give the Socialist Sal
Photograph showing Clement Attlee (left), General Jose Miaja (centre with glasses) and Giner de Los Rios giving the Socialist clenched-fist salute from balcony of a government building in Madrid

Clement Attlee and General Jose Miaja, Madrid, 1937
Photograph showing Clement Attlee (right) and General Jose Miaja in conversation, Madrid, 1937. Clement Attlee, then leader of the Labour Party in Great Britain

A Girl's Head, 1886 (oil on canvas)
MAN62994 A Girl's Head, 1886 (oil on canvas) by Clausen, George (1852-1944); 56.7x44.5 cm; Manchester Art Gallery, UK; (add.info)

Self-Portrait, 1877 (oil on panel)
MAN278070 Self-Portrait, 1877 (oil on panel) by Jopling, Louise, nee Goode (1843-1933); 20.3x15 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Self-portrait presume by Eugene Delacroix (1798-1863), French painter - Painting attributed to Delacroix - Photography
YOU4419824 Self-portrait presume by Eugene Delacroix (1798-1863), French painter - Painting attributed to Delacroix - Photography, KIM Youngtae, Rouen, Musee des Beaux Art de Rouen by Delacroix

The peg-top - la toupie, un garcon fait tourner le jouet dans le creux de sa main
DUV4218767 The peg-top - la toupie, un garcon fait tourner le jouet dans le creux de sa main, pres d une petite fille etonnee - Extrait de Afternoon Tea

The hedgehog - le herisson, un groupe d enfants observe l animal - Extrait de Afternoon Tea
DUV4218741 The hedgehog - le herisson, un groupe d enfants observe l animal - Extrait de Afternoon Tea : Rhymes for children - Livre de poemes pour enfants, Frederick Warne & Co, libraire-editeur

Two little girls - les deux petites filles, dont une occupee a repriser sa robe - Extrait de Afternoon Tea
DUV4218811 Two little girls - les deux petites filles, dont une occupee a repriser sa robe - Extrait de Afternoon Tea : Rhymes for children - Livre de poemes pour enfants, Frederick Warne & Co

In front of the mirror. Painting by Rudolf Kremlicka (1886-1932), Oil On Canvas, 1926. Czech Art 20th century
LSE4315932 In front of the mirror. Painting by Rudolf Kremlicka (1886-1932), Oil On Canvas, 1926. Czech Art 20th century. Veletrzni Palace (Fairs Palace), Prague (Czech Republic)

Sleep woman. Painting by Rudolf Kremlicka (1886-1932), Oil On Canvas, 1927. Czech Art 20th century
LSE4315934 Sleep woman. Painting by Rudolf Kremlicka (1886-1932), Oil On Canvas, 1927. Czech Art 20th century. Palace Veletrzni (Fairs Palace), Prague (Czech Republic)

Corea in Times of Peace (engraving)
1047986 Corea in Times of Peace (engraving) by Durand, Godefroy (1832-1896); Private Collection; (add.info.: Corea in Times of Peace)

Portrait of a flemish gentleman with a ruff (oil on canvas)
LRI4693574 Portrait of a flemish gentleman with a ruff (oil on canvas) by Rubens, Peter Paul (1577-1640); Galleria Rizzi, Sestri Levante, Italy; Luisa Ricciarini; Flemish, out of copyright

Portrait de la jeune fille au chat Painting au pastel by Jean-Baptiste Perroneau
JLJ4567815 Portrait de la jeune fille au chat Painting au pastel by Jean-Baptiste Perroneau (Jean Baptiste Perronneau) (1715-1783), 1743 - Sun 0, 59 X 0, 48 m - London

Mrs Elton was First Seen at Church, Curiosity in regard to the vulgar bride of a vulgar clergyman (engraving)
3625585 Mrs Elton was First Seen at Church, Curiosity in regard to the vulgar bride of a vulgar clergyman (engraving) by Thomson

American Presidents (chromolitho)
3657006 American Presidents (chromolitho) by American School, (19th century); Private Collection; (add.info.: American Presidents)

Friday at the French Artists Salon (detail), 1911 (oil on canvas)
902702 Friday at the French Artists Salon (detail), 1911 (oil on canvas) by Gruen or Grun, Jules Alexandre (1868-1934); Musee des Beaux-Arts, Rouen

Woman arriving for an appointment at the Cafe des
Fashionable woman arriving for an appointment at the Cafe des Tuileries, Paris, Year VI, 1798. She wears a bonnet, lilac fichu, low-cut classical style dress, sandals. Handcoloured lithograph by R.V

Portrait of Countess Natalia Pavlovna Zubova (1801-68) c. 1820 (oil on canvas)
SRM91273 Portrait of Countess Natalia Pavlovna Zubova (1801-68) c.1820 (oil on canvas) by Russian School (19th century); 70x57.6 cm; State Russian Museum, St

Portrait of a Woman with Dark Hair, 1884 (oil on canvas)
CW94845 Portrait of a Woman with Dark Hair, 1884 (oil on canvas) by Prinsep, Valentine Cameron (1838-1904); 61x50.8 cm; Private Collection; eChristopher Wood Gallery, London, UK; English

Flora (oil on panel)
BOU202958 Flora (oil on panel) by Jacquet, Gustave (1846-1909); 28.5x23.5 cm; Private Collection; Bourne Gallery, Reigate, Surrey; French, out of copyright

She is Witty to Talk With (w / c on paper)
Ma181769 She is Witty to Talk With (w/c on paper) by Jackson, Helen (fl.1884-1911); 50.8x43.1 cm; Private Collection; Photo eThe Ms Gallery, London; British, out of copyright

Awake
CW12890 Awake by Anderson, Sophie (1823-1903); Private Collection; eChristopher Wood Gallery, London, UK; French, out of copyright

Badigeonographie generale des murailles de la France et de l Etranger
DUV4212504 Badigeonographie generale des murailles de la France et de l Etranger. Vignettes illustrees par JJ Granville. Gravure signee Breviere dans le prologue intitule " Resume

The Queen of the Harem (oil on canvas)
CH229657 The Queen of the Harem (oil on canvas) by Bredt, Max Ferdinand (1868-1921); Private Collection; Photo eChristies Images; German, out of copyright

Portrait of a Woman (oil on canvas)
Ma199973 Portrait of a Woman (oil on canvas) by Calderon, Philip Hermogenes (1833-98); 53.5x43.5 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

The Holy Family, or The Grace (oil on canvas)
PWI90064 The Holy Family, or The Grace (oil on canvas) by Le Brun, Charles (1619-90); 138x89 cm; Louvre, Paris, France; ePeter Willi; French, out of copyright

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"Regard: A Glimpse into the Soul through Art and Time" In the timeless masterpiece "The Return of the Prodigal Son" by Rembrandt Harmensz van Rijn, we witness a profound regard between a father and his wayward child. The artist's brushstrokes capture the depth of emotion in their eyes, conveying forgiveness and unconditional love. Traveling to Egypt in 1910, one cannot help but be captivated by the enigmatic gaze of the Sphinx. Its inscrutable regard has puzzled scholars for centuries, leaving us to wonder about its secrets hidden within those ancient stone features. Moving on to religious art, we encounter Mary's tender regard towards her infant son in "Virgin and Child, " created during the 16th century. This portrayal evokes a sense of maternal protection and devotion that transcends time. In Rogier Van der Weyden's "Christ Appearing to His Mother, " painted around 1440, we witness an intense moment as Jesus reveals himself after his crucifixion. Their gazes meet with overwhelming compassion and understanding, illustrating a profound connection between mother and son. Shifting gears to contemporary expressions of affection, a young couple depicted on a romantic greetings card exchange loving regards that speak volumes without words. Their eyes sparkle with shared dreams and promises for their future together. Stepping away from human subjects but no less impactful is a venerated wooden figure whose serene regard exudes spirituality beyond our comprehension. It invites contemplation about faith and reverence for something greater than ourselves. During wartime in 1943, an advert for Harella coats showcases smart fits from any angle – emphasizing how even amidst chaos or uncertainty; attention to detail can bring confidence when facing adversity head-on. Political history intertwines with regard as Clement Attlee stands alongside General Jose Miaja in Madrid during 1937 - united against fascism while exchanging mutual respect through their socialist salute.