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Premium Framed Print : Courtesan looking at prints, 1770, (1924). Creator: Suzuki Harunobu
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Courtesan looking at prints, 1770, (1924). Creator: Suzuki Harunobu
Courtesan looking at prints, 1770, (1924). From the " Ehon Seiro Bijin Awase" by Suzuki Harunobu, [1770]. The work depicts courtesans of the great houses (the Green Houses ), and is a source of information on the textiles and applied arts of the period. Published in " Block Printing & Book Illustration in Japan", by Louise Norton Brown. [George Routledge & Sons, Ltd. E. P. Dutton & Co. London & New York, 1924]
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Media ID 19050252
© /Heritage Images
Calligraphy Courtesan Dutton Dutton And Co Dutton And Company E P Dutton George And Sons Limited George Routledge And Sons Limited Harunobu Louise Norton Louise Norton Brown Routledge Suzuki Suzuki Harunobu
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 16.9cm x 24.4cm (6.7" x 9.6")
Estimated Product Size is 38.1cm x 43.1cm (15" x 17")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print titled "Courtesan looking at prints, 1770" we are transported back to the vibrant world of Edo-period Japan. Created by Suzuki Harunobu and published in the book "Ehon Seiro Bijin Awase" this artwork offers a glimpse into the lives of courtesans from the esteemed Green Houses. The image showcases a courtesan engrossed in examining various prints, providing us with valuable insights into both the textiles and applied arts of that era. The intricate details captured in black and white highlight not only her exquisite kimono but also her refined calligraphy skills. Louise Norton Brown's publication, "Block Printing & Book Illustration in Japan" further enriches our understanding of this artistic school. As we delve deeper into this monochrome masterpiece, we can appreciate how it beautifully captures the essence of 18th-century Japanese society. This photograph transports us to a time when women played significant roles as professionals within their respective occupations. The elegance exuded by this lady is palpable, emphasizing her status as an influential figure during that period. Through Suzuki Harunobu's woodblock print technique known as ukiyo-e, we witness a harmonious blend of artistry and storytelling. This stunning piece serves as a testament to the enduring beauty found within historical treasures like these - reminding us to cherish and preserve them for generations to come.
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