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Glass Coaster : Courtesan looking at prints, 1770, (1924). Creator: Suzuki Harunobu

Courtesan looking at prints, 1770, (1924). Creator: Suzuki Harunobu




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Courtesan looking at prints, 1770, (1924). Creator: Suzuki Harunobu

Courtesan looking at prints, 1770, (1924). From the " Ehon Seiro Bijin Awase" by Suzuki Harunobu, [1770]. The work depicts courtesans of the great houses (the Green Houses ), and is a source of information on the textiles and applied arts of the period. Published in " Block Printing & Book Illustration in Japan", by Louise Norton Brown. [George Routledge & Sons, Ltd. E. P. Dutton & Co. London & New York, 1924]

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Media ID 19050252

© /Heritage Images

Calligraphy Courtesan Dutton Dutton And Co Dutton And Company E P Dutton George And Sons Limited George Routledge And Sons Limited Harunobu Louise Norton Louise Norton Brown Routledge Suzuki Suzuki Harunobu


Glass Coaster

Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.

Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available

Estimated Image Size (if not cropped) is 5.3cm x 7.6cm (2.1" x 3")

Estimated Product Size is 10cm x 10cm (3.9" x 3.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Great Houses

> Arts > Artists > H > Suzuki Harunobu

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > W > George White

> Asia > Japan > Related Images

> North America > United States of America > New York > Related Images


EDITORS COMMENTS
In this print titled "Courtesan looking at prints, 1770" we are transported back to the vibrant world of Edo-period Japan. Created by Suzuki Harunobu and published in the book "Ehon Seiro Bijin Awase" this artwork offers a glimpse into the lives of courtesans from the esteemed Green Houses. The image showcases a courtesan engrossed in examining various prints, providing us with valuable insights into both the textiles and applied arts of that era. The intricate details captured in black and white highlight not only her exquisite kimono but also her refined calligraphy skills. Louise Norton Brown's publication, "Block Printing & Book Illustration in Japan" further enriches our understanding of this artistic school. As we delve deeper into this monochrome masterpiece, we can appreciate how it beautifully captures the essence of 18th-century Japanese society. This photograph transports us to a time when women played significant roles as professionals within their respective occupations. The elegance exuded by this lady is palpable, emphasizing her status as an influential figure during that period. Through Suzuki Harunobu's woodblock print technique known as ukiyo-e, we witness a harmonious blend of artistry and storytelling. This stunning piece serves as a testament to the enduring beauty found within historical treasures like these - reminding us to cherish and preserve them for generations to come.

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