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Premium Framed Print : Column from Luxor, Egypt, (1928). Creator: Unknown
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Column from Luxor, Egypt, (1928). Creator: Unknown
Column from Luxor, Egypt, (1928). Papyrus composite column with a sand-stone bud capital...from that part of the temple at Luxor built by Amenophis III...1411-1375 B.C. After Prisse D Avennes. Plate III, fig 4, from " An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd. Berlin, 1928]
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Media ID 19668195
© The Print Collector/Heritage Images
14th Century Bc Achille Constant Theodore Emile Amenhotep Iii Amenophis Iii Archaeological Bossert Bossert Hellmut Theodor Bossert Helmuth Bossert Helmuth Theodor Davennes Davennes Emile Prisse Davennes Prisse Emile Emile Prisse Emile Prisse Dav Emile Prisse Davennes Encyclopaedia Of Colour Decoration Ernst Ernst Wasmuth Ltd Ernst Wasmuth Verlag Hellmut Theodor Hellmut Theodor Bossert Helmuth Helmuth Bossert Helmuth Theodor Helmuth Theodor Bossert Luxor Temple Papyrus Pilaster Prisse Prisse Davennes Prisse Davennes Emile Temple Of Luxor Wasmuth Ltd Wasmuth Ltd Ernst Wasmuth Verlag Wasmuth Verlag Ernst Ancient Egyptian Mizraim
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 12.6cm x 39.6cm (5" x 15.6")
Estimated Product Size is 48.2cm x 58.4cm (19" x 23")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a column from Luxor, Egypt, dating back to 1411-1375 B. C. The creator of this remarkable piece remains unknown, adding an air of mystery and intrigue to its history. The column is made of papyrus composite with a sand-stone bud capital, representing the exquisite craftsmanship and architectural prowess of ancient Egyptian civilization. The photograph itself was taken in 1928 by Achille Constant Théodore Émile Prisse d'Avennes, a renowned French architect and archaeologist. It is featured in the book "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" accompanied by explanatory text written by Helmuth Bossert. The image transports us back in time, allowing us to marvel at the intricate details and decorative elements that adorn this ancient structure. Its presence within Luxor's temple complex built by Amenophis III adds historical significance to its already impressive aesthetic appeal. Through this photo print, we are reminded of the rich heritage and cultural legacy left behind by civilizations long gone. It serves as a testament to human ingenuity and artistic expression throughout centuries. Whether displayed in homes or galleries, this image invites viewers into a world where artistry meets archaeology—a visual journey that bridges past and present for all who appreciate beauty steeped in history.
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