Davennes Prisse Collection

Water carrier, 1840-1879. Creator: Emile Prisse D'Avennes
Water carrier, 1840-1879

Column from Luxor, Egypt, (1928). Creator: Unknown
Column from Luxor, Egypt, (1928). Papyrus composite column with a sand-stone bud capital...from that part of the temple at Luxor built by Amenophis III...1411-1375 B.C. After Prisse D Avennes

Ptolemaic capital, Edfu, Egypt, (1928). Creator: Unknown
Ptolemaic capital, Edfu, Egypt, (1928). Spreading capital with open blossom of Nymphaea lotus from the Temple of Horus, Edfu. The edifice was begun 237 B.C

Column from Karnak, Egypt, (1928). Creator: Unknown
Column from Karnak, Egypt, (1928). Papyrus composite column with bud capital...from the " promenoir"..in Karnak...the eastern part of the great Temple of Amun

Bouquet capital, Thebes, Egypt, (1928). Creator: Unknown
Bouquet capital, Thebes, Egypt, (1928). So-called bouquet capitals (papyrus clusters, lilies, nymphaea) as depicted on wall paintings

Ptolemaic-Roman capital from Philae, Egypt, (1928). Creator: Unknown
Ptolemaic-Roman capital from Philae, Egypt, (1928). Lily capital from Philae, Ptolemaic or Roman period. After Prisse d Avennes

Capital from Karnak, Egypt, (1928). Creator: Unknown
Capital from Karnak, Egypt, (1928). Spreading papyrus cluster capital...From the middle aisle of the great columned hall of the great Temple of Amun at Karnak; bears the cartouche of Rameses

Column, Zawijet el Metin, Egypt, (1928). Creator: Unknown
Column, Zawijet el Metin, Egypt, (1928)....composite column of Nymphaea lotus the capital of which is formed of an open calyx...2400-2300 B.C

Capital from Philae, Egypt, (1928). Creator: Unknown
Capital from Philae, Egypt, (1928). Palm column from Philae, probably from the time of Augustus (31 B.C. - 14 A.D.) or of Tiberius (14-37 A.D.) After Prisse d Avennes

Pilaster from the Amun-Re Temple of Amenophis III at Karnak, Egypt, (1928). Creator: Unknown
Pilaster from the Amun-Re Temple of Amenophis III at Karnak, Egypt, (1928). Amenophis III is represented doing homage to the goddess Hathor...1411-1375 B.C

Detail of ceiling painting in the tomb of Aichesi, Thebes, Egypt, (1928). Creator: Unknown
Detail of ceiling painting in the tomb of Aichesi, Thebes, Egypt, (1928). 1120 B.C. After Prisse D Avennes. Plate XIII, fig 38

Vulture ceiling decorations, Philae, Egypt, (1928). Creator: Unknown
Vulture ceiling decorations, Philae, Egypt, (1928). 370 B.C. And 3rd Century B.C. The upper condor comes from the ceiling of the portal of the Temple of Isis at Philae

Detail of ceiling painting in the tomb of Bekenranef at Sakkara, Egypt, (1928). Creator: Unknown
Detail of ceiling painting in the tomb of Bekenranef at Sakkara, Egypt, (1928). End of 8th Century B.C...Bekenranef (Bocchoris) is the only sovereign of the XXIV Dynasty (718-712 B.C.)

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"Davennes Prisse: A Glimpse into Ancient Egyptian Art and Architecture" Step back in time to Luxor, Egypt, in 1928 as we explore the captivating world of Davennes Prisse. This enigmatic figure takes us on a journey through some of Egypt's most iconic sites. In Ptolemaic capital Edfu, we encounter an awe-inspiring column that stands tall amidst the desert sands. Its intricate carvings tell stories of ancient gods and pharaohs, leaving us mesmerized by their artistry. Moving on to Karnak, we are greeted by another magnificent column. Its sheer size and grandeur remind us of the power and opulence that once resided within these temple walls. The Bouquet capital from Thebes transports us to a realm where beauty meets functionality. Delicate floral motifs adorn this architectural masterpiece, showcasing the Egyptians' mastery in blending aesthetics with practicality. As we venture further to Philae, a Ptolemaic-Roman capital captures our attention. Its fusion of different artistic styles reflects the cultural exchange that occurred during this period - a testament to Egypt's rich history as a melting pot of civilizations. Back at Karnak, yet another imposing capital commands our admiration. It serves as a reminder of how these structures were not merely functional but also symbols of divine authority and religious devotion. Zawijet el Metin introduces us to an intriguing column whose purpose remains shrouded in mystery even today. We can't help but wonder about its significance within the ancient Egyptian society it once belonged to. Philae beckons again with its captivating capital - an embodiment of elegance and sophistication that leaves no doubt about the refined taste prevalent during this era. Stepping away from columns for a moment, we find ourselves captivated by a pilaster from Amun-Re Temple at Karnak. Its intricate details transport us directly into one man's vision of divine beauty.