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Premium Framed Print : Chariot Race in the Circus Maximus - Rome, 1850. Creator: Unknown
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Chariot Race in the Circus Maximus - Rome, 1850. Creator: Unknown
Chariot Race in the Circus Maximus - Rome, 1850....the Circus Maximus....originally founded in the infancy of Rome by Tarquin the Elder, became, by subsequent repeated enlargements...one of the grand sights of the city. It was surrounded by noble porticoes and seats of marble, wherein...no less a multitude than 485, 000 spectators could be accommodated. Upon the spina...were raised the two Egyptian obelisks...There are some fragmentary traces of this circus still to be seen on its well-known site, now called the Via de Cerchi...Suetonius telis us that Nero, when he played the charioteer in the circus, had ten horses yoked to his car (decemjugis). The same Imperial madcap introduced races between camels, matched two and two, in the circus; and Heliogabalus delighted the populace with an equally strange variety of contest - that of racing elephants'. From "Illustrated London News", 1850
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Media ID 36197688
© The Print Collector/Heritage Images
Archaeological Chariot Racing Obelisk Obelisks Race Racing Rome Lazio Italy Ancient Roman Gaius Suetonius Tranquillus Suetonius
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 26.5cm (15.6" x 10.4")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This photograph print transports us back in time to the ancient Roman amphitheater of Circus Maximus, as depicted in a 1850 illustration from The Illustrated London News. Originally founded by Tarquin the Elder in the infancy of Rome, this grand spectacle became one of the most notable sights of the city with its repeated enlargements. Capable of accommodating an impressive multitude of up to 485,000 spectators, the Circus Maximus was surrounded by noble porticoes and seats of marble. Upon the spina, or central racing strip, stood the two Egyptian obelisks, remnants of Rome's rich cultural heritage. The Circus Maximus has left fragmentary traces on its well-known site, now called the Via de' Cerchi. In this image, we are reminded of the thrilling chariot races that once took place in the Circus Maximus. Suetonius, in his writings, tells us that Nero, the infamous Roman Emperor, even participated in these races, with ten horses yoked to his chariot (decemjugis). Nero's successor, Heliogabalus, introduced even more unusual contests, including races between camels and elephants. This evocative print, from the esteemed Illustrated London News, offers a glimpse into the ancient Roman world, showcasing the architectural grandeur and the excitement of chariot racing that once captivated audiences in Rome.
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