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Premium Framed Print : The Campo Santo, or Cemetery, Pisa, 1860. Creator: Macquaid
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The Campo Santo, or Cemetery, Pisa, 1860. Creator: Macquaid
The Campo Santo, or Cemetery, Pisa, 1860. This famous cemetery was founded by Archbishop Ubaldo, at the end of the twelfth century, who, on his expulsion from Palestine by Saladin, took...a quantity of earth from Mount Calvary. This earth was said to have the peculiar property of reducing to dust in twenty-four hours bodies buried therein. He purchased the site of the present building, and there deposited the earth, but the structure was not commenced till 1278...[There is] an arcade or cloister running all round the interior...As will be remarked, the tracery of the arches of the cloister is Gothic. This portion was not completed till the latter part of the fifteenth century...In the floor of the ambulatory are numerous slab tombs of ancient Pisan families: they are in low relief, and in many instances are nearly obliterated by the footsteps of succeeding generations...The Campo Santo is, perhaps, most remarkable for the frescoes with which its walls are covered...[These are] chiefly by Giotto, Orcagna, Benozzo Gozzoli, and Meunni...Neglect, decay, and restorations have done their usual work upon them; but still enough remains that is very valuable and interesting. They are chiefly in two ranges, one above the other'. From "Illustrated London News", 1860
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Media ID 36347506
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Arcade Arched Arches Architectural Style Cemetery Cloister Cloisters Fresco Frescoes Graveyard Pisa Tuscany Italy Priest Priests Tombs Vanishing Point Archway Campo Santo Duomo Di Pisa Mausoleum Metaphor Pisa Cathedral Thirteenth Century
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 24.6cm (15.6" x 9.7")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The Campo Santo, or Cemetery, of Pisa, Italy, as depicted in this photograph taken by Macquaid in 1860, is a historical and artistic marvel. Founded by Archbishop Ubaldo in the late twelfth century, this cemetery was believed to hold earth from Mount Calvary, which was said to hasten the decomposition of the buried bodies. The site was purchased, and construction began in 1278, resulting in an architectural masterpiece that includes an arcade or cloister that encircles the interior. The tracery of the arches showcases Gothic influences, with the completion of this portion occurring in the late fifteenth century. The floor of the ambulatory is adorned with numerous slab tombs of ancient Pisan families. These tombs, in low relief, have been nearly obliterated by the footsteps of generations that have passed. The Campo Santo is most renowned for the frescoes that cover its walls, primarily the works of Giotto, Orcagna, Benozzo Gozzoli, and Meunni. Over time, neglect, decay, and restorations have affected these valuable and interesting works. They are primarily located in two ranges, one above the other. This photograph captures the essence of the Campo Santo's historical significance and artistic beauty, offering a glimpse into the rich heritage of Pisa's past. Macquaid's lens masterfully preserves the intricate details of the architecture and the subtle nuances of the frescoes, providing a visual testament to the enduring allure of this remarkable place.
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