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Premium Framed Print : Battle Field of New Hope Church, GA, No. 1, 1866. Creator: George N. Barnard

Battle Field of New Hope Church, GA, No. 1, 1866. Creator: George N. Barnard



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Battle Field of New Hope Church, GA, No. 1, 1866. Creator: George N. Barnard

Battle Field of New Hope Church, GA, No. 1, 1866. Albumen print, plate 25 from the album " Photographic Views of the Sherman Campaign" (1866)

Heritage Images features heritage image collections

Media ID 23872857

© Heritage Art/Heritage Images

1866 American Civil War Barnard Barnard George Barnard George N Barnard George Norman Camp George Barnard George N George N Barnard George Norman Barnard Georgia Logs Albumen Silver Print Battlefield


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 19.1cm (9.6" x 7.5")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > George Barnard

> Arts > Artists > B > George N. Barnard

> Arts > Artists > W > George White

> Asia > Georgia > Related Images

> Historic > Battles > Related Images

> North America > United States of America > Georgia > Related Images


Battle Field of New Hope Church, GA, No. 1,1866 - A Glimpse into the Aftermath of War

EDITORS COMMENTS
. This black and white albumen print by George N. Barnard takes us back to the haunting remnants of the American Civil War. Captured in 1866 as part of his renowned series "Photographic Views of the Sherman Campaign" this photograph offers a poignant glimpse into the battle-scarred landscape. The image transports us to Georgia's New Hope Church battlefield, where logs are strewn haphazardly amidst a desolate terrain. The absence of soldiers or any signs of life emphasizes the eerie silence that hangs heavy over this once fiercely contested ground. Barnard's masterful composition and use of photography evoke a sense of solemnity and reverence for those who fought on these very grounds. Each detail is rendered with remarkable clarity, allowing us to appreciate both the devastation wrought by war and nature's slow reclamation. As we gaze upon this historic scene captured through Barnard's lens, we cannot help but reflect on our country's tumultuous past and its enduring legacy. This photograph serves as a powerful reminder not only of the sacrifices made during one of America's darkest chapters but also as an invitation to contemplate how far we have come since then. Displayed at the Art Institute Chicago, this artwork stands as a testament to George N. Barnard's artistic vision and his contribution to documenting history through photography in nineteenth-century America.

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