George N Barnard Collection

Columbia from the Capitol, 1866. Creator: George N. Barnard
Columbia from the Capitol, 1866. Albumen print, plate 53 from the album " Photographic Views of the Sherman Campaign" (1866)

Battle Field of New Hope Church, GA, No. 1, 1866. Creator: George N. Barnard
Battle Field of New Hope Church, GA, No. 1, 1866. Albumen print, plate 25 from the album " Photographic Views of the Sherman Campaign" (1866)

Trestle Bridge At Whiteside, Printed 1866. Creator: George N. Barnard
Trestle Bridge At Whiteside, Printed 1866

Trinity Episcopal Church, Washington DC, 1862. Creator: George N. Barnard
Trinity Episcopal Church, 3rd & Ind. Ave. Unfinished Capitol in the background, 1862

Quaker Guns, Centreville, Virginia, March 1862. Creators: Barnard & Gibson, George N
Quaker Guns, Centreville, Virginia, March 1862. [Scene from the American Civil War, dummy guns made of wood - deception tactic]. Albumen print, pl

Manassas Junction, March 1862. Creators: Barnard & Gibson, George N. Barnard, James F
Manassas Junction, March 1862. [Scene from the American Civil War, soldiers near railway track with goods wagons]. Albumen print, pl

Fortifications at Manassas, March 1862. Creators: Barnard & Gibson, George N
Fortifications at Manassas, March 1862. [Scene from the American Civil War, soldiers with barrels filled with earth]. Albumen print, pl

Stone Church, Centreville, Virginia, March 1862. Creators: Barnard & Gibson, George N
Stone Church, Centreville, Virginia, March 1862. [Scene from the American Civil War, Union army soldiers after fighting at Bull Run, with broken windows of the Stone Church visible behind]

Mathews House, Battle-field of Bull Run, March 1862. Creators: Barnard & Gibson
Mathews House, Battle-field of Bull Run, March 1862. [Scene from the American Civil War]. Albumen print, pl. 8 from the album " Gardners Photographic Sketch Book of the War, vol. 1" (1866)

Ruins at Manassas Junction, March 1862. Creators: Barnard & Gibson, George N
Ruins at Manassas Junction, March 1862. [Scene from the American Civil War, men looking at damaged railway tracks]. Albumen print, pl

Antietam Bridge, Maryland, September 1862. Creators: Barnard & Gibson, George N
Antietam Bridge, Maryland, September 1862. [Scene from the American Civil War]. Albumen print, pl. 19 from the album " Gardners Photographic Sketch Book of the War, vol. 1" (1866)

Ruins of Stone Bridge, Bull Run, March 1862. Creators: Barnard & Gibson, George N
Ruins of Stone Bridge, Bull Run, March 1862. [Scene from the American Civil War]. Albumen print, pl. 7 from the album " Gardners Photographic Sketch Book of the War, vol. 1" (1866)

Rebel Works in Front of Atlanta, GA, No. 1, 1864. Creator: George N. Barnard
Rebel Works in Front of Atlanta, GA, No. 1, 1864. Albumen print, plate 39 from the album " Photographic Views of the Sherman Campaign" (1866)

Fortifications on Heights of Centreville, Virginia, March 1862. [Scene from the American Civil War, soldiers and dog by wicker fence with earthworks behind]. Albumen print, pl

Mission Ridge Scene of Shermans Attack, 1864 / 66. Creator: George N. Barnard
Mission Ridge Scene of Shermans Attack, 1864/66. Albumen print, plate 12 from the album " Photographic Views of the Sherman Campaign" (1866)

Chattanooga from the North, 1864. Creator: George N. Barnard
Chattanooga from the North, 1864. Albumen print, plate 8 from the album " Photographic Views of the Sherman Campaign" (1866)

Battle Field of Atlanta, GA No. 1, July 22, 1864. Creator: George N. Barnard
Battle Field of Atlanta, GA No. 1, July 22, 1864. Albumen print, plate 36 from the album " Photographic Views of the Sherman Campaign" (1866)

Allatoona from the Etawah, 1866. Creator: George N. Barnard
Allatoona from the Etawah, 1866. Albumen print, plate 24 from the album " Photographic Views of the Sherman Campaign" (1866)

Chattanooga Valley from Lookout Mountain, No. 2, 1864 / 66. Creator: George N. Barnard
Chattanooga Valley from Lookout Mountain, No. 2, 1864/66. Albumen print, plate 14 from the album " Photographic Views of the Sherman Campaign" (1866)

Battle Ground of Resacca, GA, No. 1, 1866. Creator: George N. Barnard
Battle Ground of Resacca, GA, No. 1, 1866. Albumen print, plate 19 from the album " Photographic Views of the Sherman Campaign" (1866)

Ringold, GA, 1866. Creator: George N. Barnard
Ringold, GA, 1866. Albumen print, plate 17 from the album " Photographic Views of the Sherman Campaign" (1866)

Lu-La Lake Lookout Mountain, 1864 / 66. Creator: George N. Barnard
Lu-La Lake Lookout Mountain, 1864/66. Albumen print, plate 15 from the album " Photographic Views of the Sherman Campaign" (1866)

Defences of the Etawah Bridge, 1866. Creator: George N. Barnard
Defences of the Etawah Bridge, 1866. Albumen print, plate 23 from the album " Photographic Views of the Sherman Campaign" (1866)

Rebel Works in Front of Atlanta, GA, No. 3, 1864. Creator: George N. Barnard
Rebel Works in Front of Atlanta, GA, No. 3, 1864. Albumen print, plate 41 from the album " Photographic Views of the Sherman Campaign" (1866)

Mission Ridge from Orchard Knob, 1864 / 66. Creator: George N. Barnard
Mission Ridge from Orchard Knob, 1864/66. Albumen print, plate 9 from the album " Photographic Views of the Sherman Campaign" (1866)

The Front of Kenesaw Mountain, GA, 1866. Creator: George N. Barnard
The Front of Kenesaw Mountain, GA, 1866. Albumen print, plate 31 from the album " Photographic Views of the Sherman Campaign" (1866)

The Allatoona Pass, looking North, GA, 1866. Creator: George N. Barnard
The Allatoona Pass, looking North, GA, 1866. Albumen print, plate 28 from the album " Photographic Views of the Sherman Campaign" (1866)

Rebel Works in Front of Atlanta, GA, No. 5, 1864. Creator: George N. Barnard
Rebel Works in Front of Atlanta, GA, No. 5, 1864. Albumen print, plate 43 from the album " Photographic Views of the Sherman Campaign" (1866)

Rebel Works in Front of Atlanta, GA, No. 2, 1864. Creator: George N. Barnard
Rebel Works in Front of Atlanta, GA, No. 2, 1864. Union soldier with Confederate cannons. Albumen print, plate 40 from the album " Photographic Views of the Sherman Campaign" (1866)

Interior View of Fort Sumpter, 1866. Creator: George N. Barnard
Interior View of Fort Sumpter, 1866. Albumen print, plate 57 from the album " Photographic Views of the Sherman Campaign" (1866)

City of Atlanta, GA, No. 1, 1866. Creator: George N. Barnard
City of Atlanta, GA, No. 1, 1866. Albumen print, plate 45 from the album " Photographic Views of the Sherman Campaign" (1866)

Pass in the Raccoon Range, Whiteside No. 1, 1864. Creator: George N. Barnard
Pass in the Raccoon Range, Whiteside No. 1, 1864. Albumen print, plate 6 from the album " Photographic Views of the Sherman Campaign" (1866)

Fountain, Savannah, GA, 1866. Creator: George N. Barnard
Fountain, Savannah, GA, 1866. Albumen print, plate 51 from the album " Photographic Views of the Sherman Campaign" (1866)

Buzzard Roost, GA, 1866. Creator: George N. Barnard
Buzzard Roost, GA, 1866. Albumen print, plate 18 from the album " Photographic Views of the Sherman Campaign" (1866)

Trestle Bridge at Whiteside, 1864. Creator: George N. Barnard
Trestle Bridge at Whiteside, 1864. Albumen print, plate 4 from the album " Photographic Views of the Sherman Campaign" (1866)

The Potter House Atlanta, 1864. Creator: George N. Barnard
The Potter House Atlanta, 1864. Abumen print, plate 38 from the album " Photographic Views of the Sherman Campaign" (1866)

View of Kenesaw Mountain, Ga. 1866. Creator: George N. Barnard
View of Kenesaw Mountain, Ga. 1866. Albumen print, plate 32 from the album " Photographic Views of the Sherman Campaign" (1866)

The John Ross House, Ringold, GA, 1866. Creator: George N. Barnard
The John Ross House, Ringold, GA, 1866. Home of John Ross, leader of the Cherokee Nation, after his lands had been taken by the state

Whiteside Valley below the Bridge, 1864. Creator: George N. Barnard
Whiteside Valley below the Bridge, 1864. Albumen print, plate 5 from the album " Photographic Views of the Sherman Campaign" (1866)

The Crest of Mission Ridge, 1864 / 66. Creator: George N. Barnard
The Crest of Mission Ridge, 1864/66. Albumen print, plate 11 from the album " photographic views of the sherman campaign" (1866)

The Battle Field of Peach Tree Creek, Ga. 1864 / 66. Creator: George N. Barnard
The Battle Field of Peach Tree Creek, Ga. 1864/66. Albumen print, plate 34 from the album " Photographic Views of the Sherman Campaign" (1866)

The Capitol, Nashville, Tennessee, 1864. Creator: George N. Barnard
The Capitol, Nashville, Tennessee, 1864. Albumen print, plate 2 from the album " Photographic Views of the Sherman Campaign" (1866)

The Allatoona Pass, GA, 1866. Creator: George N. Barnard
The Allatoona Pass, GA, 1866. Abumen print, plate 29 from the album " Photographic Views of the Sherman Campaign" (1866)

Scene of Gen. McPhersons Death, 1864 / 66. Creator: George N. Barnard
Scene of Gen. McPhersons Death, 1864/66. Albumen print, plate 35 from the album " Photographic Views of the Sherman Campaign" (1866)

South Bank of the Chattahoochie, Ga. 1866. Creator: George N. Barnard
South Bank of the Chattahoochie, Ga. 1866. Albumen print, plate 33 from the album " Photographic Views of the Sherman Campaign" (1866)

Sherman and His Generals, 1865. Creator: George N. Barnard
Sherman and His Generals, 1865...." MAJ. GEN. H. W. SLOCUM. MAJ. GEN. F. P. BLAIR. / Formerly Comd g Army of of the Tenn. Comd g Army of the Tenn. Comd g Military Div. of the Mississippi

Savannah River, near Savannah, GA, 1866. Creator: George N. Barnard
Savannah River, near Savannah, GA, 1866. Albumen print, plate 47 from the album " photographic views of the sherman campaign" (1866)

Savannah, GA, No. 1, 1866. Creator: George N. Barnard
Savannah, GA, No. 1, 1866. Albumen print, plate 49 from the album " Photographic Views of the Sherman Campaign" (1866)

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George N. Barnard, a renowned photographer of the 19th century, captured the essence of history through his lens. His photographs provide us with a glimpse into significant moments and locations during the Civil War era. In "Columbia from the Capitol, " taken in 1866, Barnard presents an iconic view of Columbia, showcasing its grandeur and resilience after the war. The image reflects both hope and strength as it captures the city's reconstruction. Moving to Georgia, we find ourselves on the "Battle Field of New Hope Church. " This photograph transports us back to 1866 when scars still marked this hallowed ground. Through Barnard's lens, we witness remnants of conflict that serve as a somber reminder of lives lost and battles fought. Barnard's work extends beyond battlefields; he also documented architectural marvels like Trinity Episcopal Church in Washington DC. In his 1862 photograph, he immortalizes this place of worship amidst turbulent times—a symbol of faith standing tall amid chaos. The collaboration between Barnard & Gibson resulted in powerful images such as "Quaker Guns" at Centreville, Virginia. This clever deception employed by Confederate forces is captured by their lenses—silent witnesses to wartime strategies unfolding before them. Manassas Junction became another subject for their partnership. In March 1862, they documented scenes like "Manassas Junction" and "Fortifications at Manassas. " These images reveal fortified positions that played crucial roles in shaping military tactics during one of America's bloodiest conflicts—the Battle of Bull Run. Further exploring Virginia's landscapes during this period led them to Stone Church near Centreville—a tranquil sanctuary juxtaposed against surrounding turmoil—and Mathews House on Bull Run battlefield—an eerie testament to destruction left behind by war. The ruins at Manassas Junction offer haunting visuals frozen in time—reminders that even once-thriving places can succumb to devastation caused by human conflict.