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Premium Framed Print : QUEEN VICTORIA CARTOON. New Crowns For Old Ones! Cartoon, 1876, by John Tenniel

QUEEN VICTORIA CARTOON. New Crowns For Old Ones! Cartoon, 1876, by John Tenniel



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QUEEN VICTORIA CARTOON. New Crowns For Old Ones! Cartoon, 1876, by John Tenniel

QUEEN VICTORIA CARTOON.
New Crowns For Old Ones! Cartoon, 1876, by John Tenniel on the unpopularity of Benjamin Disraelis measure for adding to the royal titles that of Empress of India

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 13133427

1876 Anti Colonialism British Empire British Raj Colonialism Colony Crown Disraeli Earl Empress India Political Action Tenniel Turban Victoria Victorian Aladdin


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 18.4cm x 24.4cm (7.2" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Granger Art on Demand > Handcolored

> Arts > Artists > Q > Queen Victoria Queen Victoria

> Arts > Artists > T > John Tenniel

> Asia > India > Related Images

> Europe > United Kingdom > England > London > Politics > Benjamin Disraeli

> Europe > United Kingdom > England > Politics

> Popular Themes > Politics

> Popular Themes > Queen Victoria


EDITORS COMMENTS
QUEEN VICTORIA CARTOON. New Crowns For Old Ones! Cartoon, 1876, by John Tenniel captures the essence of political action and controversy surrounding Benjamin Disraeli's measure to add the title of Empress of India to Queen Victoria's royal titles. In this satirical illustration, Tenniel skillfully portrays the late Victorian era with its intricate details and subtle symbolism. The cartoon depicts a stern-looking Queen Victoria seated on her throne, adorned with an array of crowns representing various colonies under British rule. Standing beside her is Disraeli, portrayed as a man wearing a turban symbolizing his support for Indian interests. The contrasting figures highlight the tension between tradition and change in British colonial policy. Tenniel's artwork reflects anti-colonial sentiments prevalent during that time period. It critiques Britain's imperialistic ambitions by suggesting that adding new titles does not address the underlying issues faced by colonized nations like India. The cartoon cleverly implies that simply replacing old crowns with new ones fails to address the oppressive nature of colonialism. This historical print serves as a reminder of Britain's dominance over India during the height of its empire and sheds light on public opinion regarding Disraeli's controversial proposal. It encapsulates both political commentary and artistic brilliance, showcasing why John Tenniel remains one of history’s most renowned political cartoonists.

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