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Premium Framed Print : The Fasces, an axe tied to a bundle of sticks, the symbol of Ancient Roman magistrates, which was adopted as their emblem by the Italian Fascists in the 20th century

The Fasces, an axe tied to a bundle of sticks, the symbol of Ancient Roman magistrates, which was adopted as their emblem by the Italian Fascists in the 20th century



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The Fasces, an axe tied to a bundle of sticks, the symbol of Ancient Roman magistrates, which was adopted as their emblem by the Italian Fascists in the 20th century

527269 The Fasces, an axe tied to a bundle of sticks, the symbol of Ancient Roman magistrates, which was adopted as their emblem by the Italian Fascists in the 20th century. From Mussolini e il Facismo, Rome, 1929, celebrating the rise of the Italian dictator.; Universal History Archive/UIG

Media ID 38208998

© Universal History Archive/UIG / Bridgeman Images

1929 Adopted Bundle Celebrating Dictator Dictatorship Emblem Fasces Fascism Fascists Magistrates Mussolini Rise Sticks Tied


31"x27" (79x69cm) Premium Frame

FSC real wood frame with double mounted 24x20 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 31x27 inches (787x685mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 58.3cm x 59.9cm (23" x 23.6")

Estimated Product Size is 68.5cm x 78.7cm (27" x 31")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Temp Classification

> Arts > Artists > R > Roman Roman

> Europe > Italy > Lazio > Rome


EDITORS COMMENTS
This powerful print captures the symbol of The Fasces, an axe tied to a bundle of sticks, which was originally used by Ancient Roman magistrates as a representation of their authority. However, in the 20th century, this emblem was adopted by the Italian Fascists under the leadership of Benito Mussolini. The image is taken from "Mussolini e il Facismo" in Rome, 1929, during a time when Italy was celebrating the rise of their dictator. This iconic symbol became synonymous with dictatorship and oppression as it represented strength through unity - each stick representing individual power coming together to form one unbreakable force. The stark contrast between the historical significance of The Fasces and its transformation into a tool for fascist propaganda is both striking and unsettling. It serves as a reminder of how symbols can be manipulated and twisted to serve political agendas. As we reflect on this image, we are reminded of the dangers that come with blindly following charismatic leaders who promise strength and unity at any cost. It stands as a cautionary tale against allowing authoritarianism to take hold in society. Overall, this print serves as a chilling reminder of the dark chapters in history where symbols like The Fasces were used to justify tyranny and oppression.

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