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Premium Framed Print : Plan of the Temple of Serapis or Macellum at Pozzuoli (engraving)

Plan of the Temple of Serapis or Macellum at Pozzuoli (engraving)



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Plan of the Temple of Serapis or Macellum at Pozzuoli (engraving)

DGC405755 Plan of the Temple of Serapis or Macellum at Pozzuoli (engraving) by English School, (18th century) (after); Private Collection; (add.info.: formerly thought to be a Temple of the Egyptian divinity Serapis because a statue of the god was excavated there 1750-56; also considered at one time to a temple dedicated to Bacchus; now known to have been the food market (macellum) of the dockland and commercial district of the Roman port of Puteoli; illustration from The Worship of Priapus by Richard Payne Knight (1750-1820) published in 1786 for the Dilettanti Society and reprinted in 1865; Tempio di Serapide ; ); Prismatic Pictures; English, out of copyright

Media ID 22374612

© Prismatic Pictures / Bridgeman Images

Marketplace Tholos


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 17.6cm (9.6" x 6.9")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
This engraving, titled "Plan of the Temple of Serapis or Macellum at Pozzuoli" takes us on a journey back in time to ancient Rome. The image showcases the intricate architectural design and layout of what was once believed to be a temple dedicated to the Egyptian deity Serapis. Originally discovered during excavations between 1750 and 1756, this site held great mystery as archaeologists unearthed a statue of the god within its walls. However, further research has revealed that this structure served a different purpose altogether - it was actually the bustling food market (macellum) located in the dockland and commercial district of Roman port Puteoli. The detailed illustration is taken from Richard Payne Knight's book "The Worship of Priapus" published in 1786 for the Dilettanti Society. It provides an invaluable glimpse into ancient Roman life, showcasing not only the grandeur of their architecture but also their sophisticated urban planning. As we study this print, we can imagine merchants haggling over prices while customers peruse an array of goods. The tholos-shaped building stands proudly amidst other structures, symbolizing both commerce and community at its heart. Thanks to Bridgeman Images' preservation efforts, we are able to appreciate this historical artwork today. This engraving serves as a reminder that even centuries later, these remnants from our past continue to intrigue and inspire us with their stories waiting to be uncovered.

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