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Premium Framed Print : Jesus and the dead dog, c. 1620 (opaque watercolor, ink and gold on paper)
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Jesus and the dead dog, c. 1620 (opaque watercolor, ink and gold on paper)
5932644 Jesus and the dead dog, c.1620 (opaque watercolor, ink and gold on paper) by Persian School, (17th century); 24.8 x 17.1 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Folio from a Makhzan al-asrar (Treasury of secrets) by Nizami (d. 1209); ); Freer Gallery of Art, Smithsonian Institution; Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler; Persian, out of copyright
Media ID 22763810
© Freer Gallery of Art, Smithsonian Institution Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler / Bridgeman Images
Henri Vever Collection Iran Islamic Art Khamsa Liq Script Nasta And X2019 Nasta Liq Script Nizami Patterned Prophet Safavid Period 1501 1722
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 16.8cm x 24.4cm (6.6" x 9.6")
Estimated Product Size is 38.1cm x 43.1cm (15" x 17")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable artwork titled "Jesus and the dead dog" created by the Persian School in the 17th century. Executed with opaque watercolor, ink, and gold on paper, this piece measures 24.8 x 17.1 cm and is housed at the prestigious Freer Gallery of Art, Smithsonian Institution in the USA. The painting is a folio from Nizami's "Makhzan al-asrar" (Treasury of secrets), dating back to around 1620. It depicts Jesus Christ standing beside a deceased dog amidst a breathtaking landscape. The Safavid period influences are evident through its intricate details and use of nasta'liq script. This exquisite illumination from the Henri Vever collection exemplifies Persian Islamic art at its finest. The delicate patterns adorning the manuscript add depth and richness to this religious scene portraying Jesus as both compassionate towards all creatures and symbolizing his divine power over life and death. The inclusion of Jesus holding a walking stick or cane further emphasizes his role as king and prophet within this composition. This artwork serves as an important testament to religious devotion during that era while showcasing exceptional craftsmanship. Thanks to Bridgeman Images' fine art finder service, we can appreciate this masterpiece that seamlessly combines elements of religion, nature, calligraphy, and symbolism into one harmonious visual experience.
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