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Mounted Print : Jesus and the dead dog, c. 1620 (opaque watercolor, ink and gold on paper)

Jesus and the dead dog, c. 1620 (opaque watercolor, ink and gold on paper)



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Jesus and the dead dog, c. 1620 (opaque watercolor, ink and gold on paper)

5932644 Jesus and the dead dog, c.1620 (opaque watercolor, ink and gold on paper) by Persian School, (17th century); 24.8 x 17.1 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Folio from a Makhzan al-asrar (Treasury of secrets) by Nizami (d. 1209); ); Freer Gallery of Art, Smithsonian Institution; Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler; Persian, out of copyright

Media ID 22763810

© Freer Gallery of Art, Smithsonian Institution Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler / Bridgeman Images

Henri Vever Collection Iran Islamic Art Khamsa Liq Script Nasta And X2019 Nasta Liq Script Nizami Patterned Prophet Safavid Period 1501 1722


10"x8" Mount with 8"x6" Print

Experience the profound fusion of faith and folklore with our exquisite Mounted Photo featuring 'Jesus and the Dead Dog,' a 17th-century opaque watercolor, ink, and gold masterpiece from the Persian School. This evocative artwork, obtained from Bridgeman Images through Fine Art Finder, showcases the iconic scene of Jesus raising the deceased canine to life. A captivating addition to any space, this mounted photo is a timeless testament to the enduring power of art to inspire and provoke thought.

Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.

Photo prints supplied in custom cut card mount ready for framing

Estimated Image Size (if not cropped) is 14cm x 20.3cm (5.5" x 8")

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > I > Islamic School Islamic School

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Landscape art > Watercolor landscapes

> Arts > Watercolor paintings > Watercolor landscapes > Landscape art

> Arts > Watercolor paintings > Watercolor landscapes > Watercolor art

> Arts > Watercolor paintings > Watercolor landscapes > Watercolor paintings

> Arts > Watercolor paintings

> Asia > Iran > Related Images

> Europe > United Kingdom > Scotland > Highlands > Alness


EDITORS COMMENTS
This print showcases a remarkable artwork titled "Jesus and the dead dog" created by the Persian School in the 17th century. Executed with opaque watercolor, ink, and gold on paper, this piece measures 24.8 x 17.1 cm and is housed at the prestigious Freer Gallery of Art, Smithsonian Institution in the USA. The painting is a folio from Nizami's "Makhzan al-asrar" (Treasury of secrets), dating back to around 1620. It depicts Jesus Christ standing beside a deceased dog amidst a breathtaking landscape. The Safavid period influences are evident through its intricate details and use of nasta'liq script. This exquisite illumination from the Henri Vever collection exemplifies Persian Islamic art at its finest. The delicate patterns adorning the manuscript add depth and richness to this religious scene portraying Jesus as both compassionate towards all creatures and symbolizing his divine power over life and death. The inclusion of Jesus holding a walking stick or cane further emphasizes his role as king and prophet within this composition. This artwork serves as an important testament to religious devotion during that era while showcasing exceptional craftsmanship. Thanks to Bridgeman Images' fine art finder service, we can appreciate this masterpiece that seamlessly combines elements of religion, nature, calligraphy, and symbolism into one harmonious visual experience.

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