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Premium Framed Print : Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints, Portrait of Felix Feneon in 1890 (oil on canvas)
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Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints, Portrait of Felix Feneon in 1890 (oil on canvas)
XIR53827 Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints, Portrait of Felix Feneon in 1890 (oil on canvas) by Signac, Paul (1863-1935); 73.5x92.5 cm; Museum of Modern Art (MoMA), New York, USA; (add.info.: Portrait of Felix Feneon (1861-1944) french journalist and art critic
By Paul Signac (1863-1935)
The Museum of Modern Art, New York)
Media ID 33083584
© Bridgeman Images
19th Century Fashion Agitation Blurred Motion Canne Cercle Chapeau Circle Circles Couleur Cyclamen Enchanted Etoile Florals Forme Geometric Geometrical Geometrie Geometry Journalist Magic Magician Magicians Magie Male Fashion Masculinity Mix Color Motion Mouvement Mouvement Artistique Multi Colored Multicolore Multicolored Multicolour Multicoloured Multicolours Neo Impressionist Paul Signac Pointillism Pointillisme Pointillist Prestidigitator Profil Shape Shapes Star Stars Top Hat Trick Une Personne Abstract Patterns Art Style Homme Peinture
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 19.3cm (9.6" x 7.6")
Estimated Product Size is 43.1cm x 38.1cm (17" x 15")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of Paul Signac's masterpiece, "Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints, Portrait of Felix Feneon in 1890". Painted with oil on canvas, this artwork measures 73.5x92.5 cm and is housed in the Museum of Modern Art (MoMA) in New York. The painting depicts Felix Feneon, a renowned French journalist and art critic from the late 19th century. Signac's use of vibrant colors and geometric shapes creates a mesmerizing visual experience that transports viewers to another world. Intricate circles dance across the canvas alongside enchanting stars and delicate flowers, forming an intricate tapestry of color and movement. The composition exudes a sense of magic and wonder as if Feneon himself were a prestidigitator conjuring up this fantastical scene. The blurred motion adds an element of agitation to the piece, reflecting both Feneon's dynamic personality as well as the bustling energy of turn-of-the-century France. The multicolored palette further enhances this sense of vibrancy, creating a harmonious blend that captivates the eye. Signac's masterful brushwork showcases his skill in capturing light and atmosphere while also highlighting his fascination with geometry. This painting serves as a testament to his innovative approach to pointillism – using small dots or strokes to create larger forms – which became one of his signature techniques. Overall, "Opus 217" is not only a stunning work of art but also an exploration into color theory, movement, and human expression. It stands as a testament to Signac's artistic genius while immortalizing Felix Feneon within its magical embrace.
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