Pointillisme Collection

The Gardener, 1882-83 (oil on wood)
3468875 The Gardener, 1882-83 (oil on wood) by Seurat, Georges Pierre (1859-91); 15.9x24.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

The Town Beach, Collioure, Opus 165, 1887 (oil on canvas)
3432931 The Town Beach, Collioure, Opus 165, 1887 (oil on canvas) by Signac, Paul (1863-1935); 62.9x80 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Collioure. La Plage de la ville)

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints
XIR53827 Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints, Portrait of Felix Feneon in 1890 (oil on canvas) by Signac

Le Chahut, 1890 (oil on canvas)
3709927 Le Chahut, 1890 (oil on canvas) by Seurat, Georges Pierre (1859-91); 169.1x141 cm; Rijksmuseum Kroller-Muller, Otterlo, Netherlands; (add.info.: Chahut meaning noise or uproar)

Shepherd with Sheep, c. 1920 (oil on canvas)
3709932 Shepherd with Sheep, c.1920 (oil on canvas) by Assendelft, Cornelis Albert van (1870-1945); 56.7x79.2 cm; Rijksmuseum, Amsterdam, The Netherlands

House at Dusk, 1881-82 (conte crayon)
3931608 House at Dusk, 1881-82 (conte crayon) by Seurat, Georges Pierre (1859-91); Metropolitan Museum of Art, New York, USA; French, out of copyright

Portrait of Mrs Marie Jeannette de Lange, c. 1900 (oil on canvas)
5916335 Portrait of Mrs Marie Jeannette de Lange, c.1900 (oil on canvas) by Toorop, Jan Theodore (1858-1928); 70.5x77.4 cm; Rijksmuseum, Amsterdam

The Maria at Honfleur, 1886 (oil on canvas)
5614489 The Maria at Honfleur, 1886 (oil on canvas) by Seurat, Georges Pierre (1859-91); 53x63.5 cm; Narodni Galerie, Prague, Czech Republic; French, out of copyright

Evening, The Jetty at Vlissingen, 1898 (lithograph)
5672896 Evening, The Jetty at Vlissingen, 1898 (lithograph) by Signac, Paul (1863-1935); Cleveland Museum of Art, OH, USA; French, out of copyright

The Black Bow, 1882-3 (conte crayon)
BRM349519 The Black Bow, 1882-3 (conte crayon) by Seurat, Georges Pierre (1859-91); Private Collection; (add.info.: Le Noeud Noir; formerly in collection Brame & Lorenceau; ); French, out of copyright

At the Eden Concert, 1886-7 (conte crayon, gouache, chalk & ink on paper)
BRM349525 At the Eden Concert, 1886-7 (conte crayon, gouache, chalk & ink on paper) by Seurat, Georges Pierre (1859-91); Van Gogh Museum, Amsterdam

Saint-Tropez: The Port, 1897-98 (colour lithograph)
5672891 Saint-Tropez: The Port, 1897-98 (colour lithograph) by Signac, Paul (1863-1935); 50.8 x 38.2 cm; Cleveland Museum of Art, OH, USA; French, out of copyright

Harmonious Times, 1895-96 (colour lithograph)
5672878 Harmonious Times, 1895-96 (colour lithograph) by Signac, Paul (1863-1935); 50 x 37.6 cm; Cleveland Museum of Art, OH

Pushing in the Poles, c. 1882 (oil on canvas)
5310448 Pushing in the Poles, c.1882 (oil on canvas) by Seurat, Georges Pierre (1859-91); 15x25 cm; Private Collection; French, out of copyright

The Forest at Pontaubert, 1881 (oil on canvas)
3468877 The Forest at Pontaubert, 1881 (oil on canvas) by Seurat, Georges Pierre (1859-91); 79.1x62.5 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Gray Weather, Grande Jatte, c. 1886-88 (oil on canvas)
3468876 Gray Weather, Grande Jatte, c.1886-88 (oil on canvas) by Seurat, Georges Pierre (1859-91); 70.5x86.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Embroidery; The Artists Mother, 1882-83 (conte crayon on Michallet paper)
3468874 Embroidery; The Artists Mother, 1882-83 (contecrayon on Michallet paper) by Seurat, Georges Pierre (1859-91); 31.2x24.1 cm; Metropolitan Museum of Art, New York

Foal (Le Poulain), 1882-83 (conte crayon on laid paper)
3432944 Foal (Le Poulain), 1882-83 (conte crayon on laid paper) by Seurat, Georges Pierre (1859-91); 24.8x31.8 cm; Metropolitan Museum of Art, New York

Aman-Jean, 1882-83 (conte crayon on Michallet paper)
3432942 Aman-Jean, 1882-83 (contecrayon on Michallet paper) by Seurat, Georges Pierre (1859-91); 62.2u47.5 cm; Metropolitan Museum of Art, New York

Landscape at Saint-Ouen, 1878-79 (Oil on wood)
3432941 Landscape at Saint-Ouen, 1878-79 (Oil on wood) by Seurat, Georges Pierre (1859-91); 17.5x26.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

View of the Seine, 1882-83 (oil on wood)
3432936 View of the Seine, 1882-83 (oil on wood) by Seurat, Georges Pierre (1859-91); 15.9x24.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas)
3432934 Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas) by Signac, Paul (1863-1935); 64.8x81.3 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

The Jetty at Cassis, Opus 198, 1889 (oil on canvas)
3432933 The Jetty at Cassis, Opus 198, 1889 (oil on canvas) by Signac, Paul (1863-1935); 46.4x65.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: near Marseilles); French, out of copyright

Peasant with a Hoe, c. 1882 (oil on wood)
3428139 Peasant with a Hoe, c.1882 (oil on wood) by Seurat, Georges Pierre (1859-91); 14.6x24.1 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Poplars, c. 1883-4 (conte crayon on michalett paper)
1766125 Poplars, c.1883-4 (conte crayon on michalett paper) by Seurat, Georges Pierre (1859-91); 24.3x31 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Portrait of Auguste Descamps, the painters uncle
BAL50139 Portrait of Auguste Descamps, the painters uncle by Rysselberghe, Theo van (1862-1926); Petit Palais, Geneva, Switzerland; Belgian, out of copyright

An Indian Man, c. 1878-9 (graphite)
XOS1766138 An Indian Man, c.1878-9 (graphite) by Seurat, Georges Pierre (1859-91); 48.4x28.5 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Madame Seurat, the Artists Mother, c. 1882-3 (conte crayon on Michallet paper)
XOS1766137 Madame Seurat, the Artists Mother, c.1882-3 (conte crayon on Michallet paper) by Seurat, Georges Pierre (1859-91); 30.5x23.3 cm; J

Une Elegante, Woman strolling, c. 1884 (conte crayon on michalett paper)
XOS1766136 Une Elegante, Woman strolling, c.1884 (conte crayon on michalett paper) by Seurat, Georges Pierre (1859-91); 32.8x24 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Study for La Grande Jatte, 1884-5 (oil on wood)
XOS1765966 Study for " La Grande Jatte", 1884-5 (oil on wood) by Seurat, Georges Pierre (1859-91); 15.9x25 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

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Discover the mesmerizing world of pointillism through a collection of masterpieces. From The Gardener, 1882-83 (oil on wood) to Harmonious Times, 1895-96 (colour lithograph), these artworks showcase the unique technique and beauty of this artistic style. In The Town Beach, Collioure, Opus 165, 1887 (oil on canvas), vibrant dots come together to create a lively seaside scene. Le Chahut, 1890 (oil on canvas) captures the energy and movement of dancers with meticulous dot placement. Shepherd with Sheep, c. 1920 (oil on canvas) portrays pastoral tranquility through carefully applied points. House at Dusk, 1881-82 (conte crayon), evokes a sense of mystery as dusk settles upon an enchanting landscape. Portrait of Mrs Marie Jeannette de Lange, c. 1900 (oil on canvas) showcases the artist's ability to capture depth and emotion using only tiny dots. The Maria at Honfleur, 1886 (oil on canvas) depicts a serene harbor scene where each dot contributes to the overall harmony. Evening, The Jetty at Vlissingen, 1898 (lithograph) invites viewers into a peaceful twilight moment by skillfully combining various shades and sizes of dots. With The Black Bow, 1882-3 (conte crayon), we witness how pointillism can be employed in monochrome drawings to convey elegance and sophistication. At the Eden Concerts, 1886-7 (conte crayon, gouache, chalk & ink on paper), transports us back in time as we experience an evening filled with music through meticulously placed dots. Saint-Tropez: The Port, 1897-98 (colour lithograph ) offers a vivid glimpse into coastal life with its vibrant palette created solely from small colored dots.