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Premium Framed Print : A women as the law governing the status of the mother within the family, inferior to that of the husband. Detail of the promulgation of the Civil Code or Code of Napoleon Bonaparte on 21 / 03 / 1804 (painting, 19th century)

A women as the law governing the status of the mother within the family, inferior to that of the husband. Detail of the promulgation of the Civil Code or Code of Napoleon Bonaparte on 21  /  03  /  1804 (painting, 19th century)



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A women as the law governing the status of the mother within the family, inferior to that of the husband. Detail of the promulgation of the Civil Code or Code of Napoleon Bonaparte on 21 / 03 / 1804 (painting, 19th century)

LRI4700111 A women as the law governing the status of the mother within the family, inferior to that of the husband. Detail of the promulgation of the Civil Code or Code of Napoleon Bonaparte on 21/03/1804 (painting, 19th century) by Guascone, Felice (d.1830); Museo del Risorgimento e Istituto Mazziniano, Genoa, Italy; (add.info.: The promulgation of the Civil Code or Code of Napoleon Bonaparte (1765-1821) on 21/03/1804 regulating laws between private persons, a detail representing women who probably symbolize the law governing the status of the mother within the family, inferior to that of the husband. Painting by Felice Guascone (19th century) Genes, Museo del Risorgimento); Luisa Ricciarini

Media ID 25186016

© Luisa Ricciarini / Bridgeman Images

Administration Drop Handkerchief Injustice Napoleon I 1st 1st Bonaparte 1769 1821


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.1cm x 39.6cm (9.9" x 15.6")

Estimated Product Size is 48.2cm x 58.4cm (19" x 23")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Felice Guascone

> Fine Art Finder > Artists > Santo Panario

> Arts > Fine Art

> Europe > France > Paintings

> Europe > Italy > Genoa

> Europe > Italy > Liguria > Genoa

> Europe > Italy > Paintings

> Europe > Italy > Posters


EDITORS COMMENTS
This 19th-century painting by Felice Guascone, titled "A Women as the Law Governing the Status of the Mother within the Family, Inferior to that of the Husband" captures a significant moment in history - the promulgation of Napoleon Bonaparte's Civil Code on March 21,1804. The artwork is housed in Museo del Risorgimento e Istituto Mazziniano in Genoa, Italy. The painting depicts women who symbolize the law governing a mother's status within her family, which was deemed inferior to that of her husband. It serves as an allegory for the injustice and societal norms prevalent during this time period. The artist skillfully portrays a woman with sadness evident on her face, holding a handkerchief as if wiping away tears. This poignant detail highlights not only her personal anguish but also represents countless other women who suffered under such laws. Through this artwork, Guascone sheds light on French administration and its historical significance. The painting invites viewers to reflect upon gender inequality and social injustices that were deeply rooted in society during Napoleon Bonaparte's reign. Luisa Ricciarini has captured this powerful image through Fine Art Finder, preserving it for future generations to appreciate and learn from. It serves as a reminder of how far we have come in terms of gender equality while acknowledging that there is still work to be done.

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