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Premium Framed Print : The Royal Banquet, The bringing of the first Course, 19th July 1821 (aquatint)

The Royal Banquet, The bringing of the first Course, 19th July 1821 (aquatint)



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The Royal Banquet, The bringing of the first Course, 19th July 1821 (aquatint)

GHL20561 The Royal Banquet, The bringing of the first Course, 19th July 1821 (aquatint) by Havell, Robert the Younger (1793-1878); 41x49 cm; London Metropolitan Archives, City of London; (add.info.: coronation banquet for George IV (1762-1830) in Westminster Hall; ); eLondon Metropolitan Archives; American, out of copyright

Media ID 22367400

© London Metropolitan Archives / Bridgeman Images

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17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 17.3cm (9.6" x 6.8")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Robert the Younger Havell

> Fine Art Finder > Artists > Rogier van der Weyden

> Fine Art Finder > Britain: Royalty & Rulers

> Arts > Artists > H > Robert Havell

> Europe > United Kingdom > England > London > Boroughs > City of London

> Europe > United Kingdom > England > London > Boroughs > City of Westminster

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > England > Westminster

> People > Royalty > Related Images


EDITORS COMMENTS
This aquatint print, titled "The Royal Banquet, The bringing of the first Course, 19th July 1821" offers a glimpse into the grandeur and opulence of a historic event. Created by Robert Havell the Younger in 1821, this artwork measures 41x49 cm and is housed at the London Metropolitan Archives. The scene depicted in this print showcases a momentous occasion - the coronation banquet for George IV in Westminster Hall. As we gaze upon it, we are transported back to that fateful day on July 19th, 1821. The atmosphere is filled with anticipation as rulers and distinguished guests gather around an exquisitely adorned table. Every detail has been meticulously captured by Havell's skilled hand. From the elegant attire of royalty to the intricate table settings and sumptuous feast laid before them, no aspect has been overlooked. This image serves as a testament to both British craftsmanship and lavish celebrations during this era. As we admire this artwork, we cannot help but be awestruck by its historical significance. It offers us a window into an extraordinary moment in time when England celebrated its monarchy with utmost splendor. Through this aquatint print, we are reminded of Britain's rich cultural heritage and its enduring fascination with royal traditions. In conclusion, "The Royal Banquet" transports us back to one of history's most extravagant events while also highlighting Robert Havell the Younger's artistic prowess. Its presence within Fine

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