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Glass Coaster : The Royal Banquet, The bringing of the first Course, 19th July 1821 (aquatint)
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The Royal Banquet, The bringing of the first Course, 19th July 1821 (aquatint)
GHL20561 The Royal Banquet, The bringing of the first Course, 19th July 1821 (aquatint) by Havell, Robert the Younger (1793-1878); 41x49 cm; London Metropolitan Archives, City of London; (add.info.: coronation banquet for George IV (1762-1830) in Westminster Hall; ); eLondon Metropolitan Archives; American, out of copyright
Media ID 22367400
© London Metropolitan Archives / Bridgeman Images
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Estimated Image Size (if not cropped) is 7.6cm x 5.4cm (3" x 2.1")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This aquatint print, titled "The Royal Banquet, The bringing of the first Course, 19th July 1821" offers a glimpse into the grandeur and opulence of a historic event. Created by Robert Havell the Younger in 1821, this artwork measures 41x49 cm and is housed at the London Metropolitan Archives. The scene depicted in this print showcases a momentous occasion - the coronation banquet for George IV in Westminster Hall. As we gaze upon it, we are transported back to that fateful day on July 19th, 1821. The atmosphere is filled with anticipation as rulers and distinguished guests gather around an exquisitely adorned table. Every detail has been meticulously captured by Havell's skilled hand. From the elegant attire of royalty to the intricate table settings and sumptuous feast laid before them, no aspect has been overlooked. This image serves as a testament to both British craftsmanship and lavish celebrations during this era. As we admire this artwork, we cannot help but be awestruck by its historical significance. It offers us a window into an extraordinary moment in time when England celebrated its monarchy with utmost splendor. Through this aquatint print, we are reminded of Britain's rich cultural heritage and its enduring fascination with royal traditions. In conclusion, "The Royal Banquet" transports us back to one of history's most extravagant events while also highlighting Robert Havell the Younger's artistic prowess. Its presence within Fine
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