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Premium Framed Print : Funerary monument, tomb of Rabiri, relief of priestess of Isis and deceased, 40 BC, from via Appia (sculpture)
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Funerary monument, tomb of Rabiri, relief of priestess of Isis and deceased, 40 BC, from via Appia (sculpture)
6384306 Funerary monument, tomb of Rabiri, relief of priestess of Isis and deceased, 40 BC, from via Appia (sculpture); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Funerary monument, tomb of Rabiri, relief of priestess of Isis and deceased, 40 BC, from via Appia, national museum of Rome at the Palazzo Massimo, Rome, Italy); Photo © Stefano Baldini
Media ID 38287218
© © Stefano Baldini / Bridgeman Images
1st Century B 1st Century Bc Crypts Diety Eternal Father First Century Bc Godess Grave Stone Grave Stones Graves Gravestone Gravestones Headstones Heavenly Father I Century Bc Isis Ist Century Bc Marble Block Marble Stones Sepulchre Sepulchres Tomb Stones Tombs Tombstone Tombstones Divinities Divinity Goddesses Mythological Figure Religious Role
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 26.4cm (15.6" x 10.4")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This stunning print captures the intricate details of a Funerary monument, the tomb of Rabiri, dating back to 40 BC. The relief depicts a priestess of Isis standing alongside the deceased, showcasing a beautiful portrayal of ancient religious practices and beliefs.
The marble sculpture is a testament to the craftsmanship and artistry of the time, with delicate features and elaborate designs that tell a story of devotion and remembrance. The priestess is depicted in traditional attire, her expression serene yet solemn as she pays tribute to the departed soul.
The presence of Isis, a revered goddess in Egyptian mythology, adds an element of mystique and spirituality to the scene. Her divine presence symbolizes protection and guidance for the deceased on their journey to the afterlife.
As we gaze upon this remarkable piece of history, we are transported back in time to an era where rituals surrounding death were deeply intertwined with religious symbolism. The tombstone serves as a lasting memorial for Rabiri and his family, preserving their memory for eternity.
This print from Palazzo Massimo alle Terme & Museum in Rome allows us to appreciate not only the artistic beauty but also the cultural significance of this ancient funerary monument. It stands as a reminder of our connection to those who came before us and honors their legacy through art that transcends time.
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